Since the beginning of her career, Dominique Fils-Aimé has made her artistic identity clear, which is the journey of all her identities and the conditions in which they were formed. Thus, the singer has undertaken to explore over three albums the great stylistic families of African descent transplanted to the Americas, the album in question here being the second. She could have made a generic synthesis of her resources, but her taste and refinement led her to craft singular variations in the process, by way of jazzy soul instrumentation (keyboards, double bass, bass, trumpet, percussion), the skill of her ace accompanists, and especially her sweet voice, graced with intelligence and sensuality.
Latest 360 Content
What to watch Rock/Soul/R&B/Ambient/Electronic
Chauffeur et Parlak – “The Napoli Run”
By Stephan Boissonneault
Concert review indie/Pop/Soul/R&B
Arlo Parks’ infectious, festive melancholy at the Beanfield.
By Luc Tremblay
Concert review Folk/Americana/Electronic/Classical/classique/expérimental / contemporain/Jazz/indie
Montreal Anti-Jazz Police Festival at URSA – Day 1
By Frédéric Cardin
Interview classique/Classical
Piano Symphonique | Julia Mirzoev, Braden McConnell & Antoine Rivard-Landry
By Varun Swarup
Album review Rock/Psychedelia 2024
Single of the Day: Magick Brother & Mystic Sister “The Hierophant”
By Stephan Boissonneault
What to watch Caribbean/Rock
The Bolokos – feat. Fanswa Ladrezeau – Kouté Pou Tann
By Stephan Boissonneault
Album review expérimental / contemporain/Rock/Experimental / Contemporary 2024
Cell Press – Cages
By Alexander Quiquero
Concert review Classical/classique
Opera McGill Presents Semele: An Ambitious Evening with the Gods
By Elena Mandolini
Interview Electronic
In Pursuit Of Repetitive Beats Experience Strives for Human Connection through VR
By Salima Bouaraour
Album review Pop/Rock/Experimental / Contemporary/expérimental / contemporain 2024