On the other side of the Atlantic, if the 1990s were the years of French Touch, the 2010s were the era of French deep house. Among the big players is Rutilance Recordings, a Rennes-based label run by the masters of the genre, Dj Steaw and Gunnter, who have also signed Montrealer Paolo Rocco. Today’s subject is Kicks (not to be confused with DJ-Kicks), a French producer who delivered the superb tech-house B-side “Pipeline” with Rutilance in 2015. The DJ returns with a four-sided EP that has the power to propel him to the top of the underground house scene. “Space Opera”, an homage to the science-fiction writer Pierre Bordage, doesn’t reveal itself as an epic with great pomp, but rather as an exploratory journey. Like an opera, the overture of “Amadeus” heralds colour: intergalactic sounds and refined textures. “Marvin” and “Once There Was a Dream’” unveil vivid reminiscences of 1990s house (the kick and the rhythm) and micro-house (the absurd sounds), a musical current particularly popular in some Eastern European countries. The reverberated vocal tracks are distilled with accuracy. The young Frenchman even allows himself to install a dub techno atmosphere with “Sinister 9001”, a window open on resolutely groovy and danceable soundscapes.
Latest 360 Content
Concert review Hip Hop
Palomosa 2026: Xaviersobased Makes No Sense and That’s the Point
By Loic Minty
Interview Jazz/expérimental / contemporain/Rock
Palais Montcalm | Bill Bruford has (also) always been a jazz drummer
By Alain Brunet
Album review musique de film 2026
Ludwig Göransson – The Mandalorian and Grogu – Original Motion Picture Soundtrack
By Frédéric Cardin
Concert review Electronic/Pop
Palomosa 2026: Just Warming Up With Cirque Cosmic, Chippy Nonstop, and X-Coast
By Z Neto Vinheiras
Concert review Jazz/expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | أحمد [Ahmed] Raises the Debate
By Michel Rondeau
Concert review Jazz/expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | Yves Charuest Meets With Prominent British Colleagues
By Michel Rondeau
Concert review Jazz/Experimental / Contemporary/expérimental / contemporain
FIMAV 2026 | Queen Mab, Renewal of Vows
By Michel Rondeau
Concert review expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | John Oswald and Plunderphonics… An Improv Game to Be Refined
By Michel Rondeau
Concert review Jazz/expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | Hammer, Roll and Leaf, Ideal Balance, Total and Complete Satisfaction
By Alain Brunet
Concert review Classical/classique/Jazz
FIMAV 2026 | Darius Jones Fluxkit Vancouver: Complete Bliss
By Michel Rondeau
Concert review Jazz/Experimental / Contemporary/expérimental / contemporain
FIMAV 2026 | Darius Jones: Exceptional Trio, Exceptional Concert
By Michel Rondeau
Concert review Classical/classique/Jazz/expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | Josh Zubot Strings: Maximum Relevance, Maximum Delight
By Alain Brunet
Concert review Indian Classical/classique/Electronic/expérimental / contemporain/Experimental / Contemporary/Jazz
FIMAV 2026 | Amirtha Kidambi: musiques séduisantes, prolixité militante
By Alain Brunet
Concert review Electronic/DJ set/Pop












![FIMAV 2026 | أحمد [Ahmed] Raises the Debate](https://panm360.com/wp-content/uploads/2026/05/Ahmed-live-500x500.jpg)










