A few months ahead of schedule, British folk singer Laura Marling released her seventh album Song for Our Daughter. Another very beautiful and intimate offering from the prolific artist, who’s decided to sprinkle a bit of sweetness over the grey mood cast by the global coronavirus pandemic. It should be noted that at the beginning of April, Marling had cancelled a tour in the United States and Europe due to the crisis. “Only the strong survive,” she sings on the fourth track here. A coincidence? We doubt it. Certainly disappointed by the singer-songwriter’s inevitable decision to curtail her tour, her many admirers will at least be able to take comfort in these ten delicate and radiant songs. Although she was planning to release this record in the summer, the young thirty-something chose to share her work earlier. It has an obvious kinship with the Californian folk universe of the 1960s and 1970s, like that of the legendary singer Joni Mitchell: a sober, accurate and melodic acoustic guitar playing that accompanies a precise and gentle voice. The piano and strings occasionally add a layer of emotion (“Song for Our Daughter”). Although the Londoner no longer lives in the Los Angeles area, this album contains all the traces of the territory. For example, the luminous and exciting “Strange Girl”, reminiscent of the work of another woman charmed by that part of the country, the American singer Sheryl Crow. And what about “Held Down”, which could easily evoke the Pacific or the Santa Monica hills? Produced in collaboration with her old comrades Ethan Johns and Dom Monks, this graceful, intimate, and moving album is another pure beauty to further fill out the impressive discography of this timeless singer. Recall that she has already delivered little gems such as I Speak Because I Can, Once I Was an Eagle, Short Movie or Semper Femina. Song for Our Daughter may not be a masterpiece, but it’s a warm invitation that we really need.
Latest 360 Content
Interview Classical/classique/Jazz
Classica 2026 | Michel Legrand, Opera, Symphony, Jazz… Lorraine Desmarais Tells All!
By Alain Brunet
Concert review classique/Classical
CMIM 2026 | Japan Triumphs with Russian and Hungarian Music!
By Julie Thériault
Interview Electronic/Soul/R&B/Pop
SAT | Johnny Jewel back in MTL for a live set of his vast and impressive work
By Alain Brunet
Interview classique/Jazz
Domaine Forget 2026 | A Full Summer in The Musical Paradise of Charlevoix
By Alain Brunet
Concert review Africa
With Yatou, Noubi Brings Together Voices From Around the World
By Sandra Gasana
Interview Electronic
SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More
By Ariel Rutherford
Interview Electronic
SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival
By Félicité Couëlle-Brunet
Interview Classical/classique
The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott
By Alain Brunet
Interview Classical/classique
Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs
By Frédéric Cardin
Interview classique/concours/violon
Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director
By Alexandre Villemaire
Interview classique/concours/violon
The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition
By Alexandre Villemaire
Concert review Classical/classique
Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy
By Michel Rondeau
Concert review Classical/classique
A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal
By Frédéric Cardin
Interview Africa/Amérique latine/Caribbean
Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event
By Sandra Gasana
Interview classique
Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec
By Frédéric Cardin
Concert review Africa/Moyen-Orient / Levant / Maghreb























