Since their triumph at the 2018 Francouvertes, the sextet LaF haven’t been idle. After the release of the mini-album Hôtel délices and the excellent album Citadelle, the Montreal group is back in the spotlight with the EP Soin Entreprise. Once again, the flow and unique lyrics of Jah Maaz, Bkay, and Mantisse do justice to the ingenious productions of BLVDR, Bnjmn.Lloyd, and Oclaz. Soin Entreprise is a musical product to be devoured in a loop, without restraint. The soul and lo-fi atmosphere of the instrumental pieces, combined with the catchy melodies and features of the MCs, bring a second breath of summer to this chilly September. However, LaF should probably have stuck to the members of its musical family for the production of this EP, as the contributions of guests are negligible on “Valise” et “Potager”. And even if this project sometimes lacks consistency – the first three tracks are clearly superior to the next three – it confirms the place that LaF occupies (or should occupy) on the local rap scene. This promising group is now part of the elite of the genre, thanks especially to the quality and originality of its productions and arrangements. It’s time for the Quebec rap realm to acclaim LaF, as it did with Dead Obies, Alaclair Ensemble, and Loud Lary Ajust.
Latest 360 Content
Concert review Électro
My Fierce Ignorant Step at Danse Danse: the seduction of emptiness
By Frédéric Cardin
Interview Jazz
Can You Hear the Birds ? The art of the trio according to Gentiane MG
By Alain Brunet
Album review Electronic/Classical/classique/Musiques du Monde 2026
Kaoru Watanabe – The Arch
By Frédéric Cardin
Concert review Classical/classique
Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands
By Frédéric Cardin
Interview expérimental / contemporain/Classical/classique
Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”
By Frédéric Cardin
Album review Classical/classique 2026
Susan Fancher/Ināra Zandmane – Strange Lights
By Frédéric Cardin
Interview Classical/classique
Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music
By Frédéric Cardin
Concert review classique/Classical
SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music
By Pietro Freiburger
Interview
Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic
By Michel Rondeau
Interview Classical/classique/Electronic
Akousma | Les Artefacts sonores de Roxanne Turcotte
By Alexandre Villemaire
Interview Electronic/expérimental / contemporain
Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge
By Michel Rondeau
Interview Electronic/expérimental / contemporain
Akousma | Exzald S, la violence du calme
By Alain Brunet
Concert review Caribbean
Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal
By Juliana Cortes
Interview arts numériques/Classical/classique/Électronique
Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion
By Alexandre Villemaire
Interview arts numériques/Classical/classique/Électronique
Akousma | Alex Brisson et l’exploration musicale du feedback
By Alexandre Villemaire
Concert review Classical/classique























