Born in Virginia to a Colombian father, Karly-Marina Loaiza became Kali Uchis in Los Estados Unidos. Since childhood, she’s been imbued with her cultural roots by regularly visiting Colombia, and her second nationality is put forward here. A resident of Los Angeles since her professional debut, she had become an R&B singer, surrounded by top beatmakers, starting with the gifted Tyler the Creator. Isolation, her 2018 debut album, propelled her onto every R&B and hip-hop stage on the international circuit. Until the recent release of Sin Miedo (del Amor y Otros Demonios), Spanish was ornamentation on Anglo-American expression. This time, English plays a supporting role and the mother tongue the main one, a metaphor for a globalization in which identities retain their attractive power. From this perspective, this pop album by Kali Uchis is an ideal hybrid and contributes to changing our perceptions of Latin pop. The production standards are very high, there’s no need to catch up with the best of Anglo-American beatmaking; Uchis has availed herself of a legion of guest composers, directors, musicians, and singers – the Puerto Rican artists Jowel & Randy and Jhay Cortez, the Canadian PartyNextDoor, the American Rico Nasty. Bolero (romantic ballads), reggaeton, orchestral pop, hip-hop, soul, and R&B are here wrapped in superb, refined arrangements and top-notch synthesized sounds in a pop context. Sensual and hyper-sexualized singer, but above all imperial songstress, the talented Uchis imposes her difference in globalized pop.
Latest 360 Content
Concert review Africa/Jazz/cirque
Nuits d’Afrique 2026 I African Circus Courtesy of Kalabanté Hits Different
By Stephan Boissonneault
Interview latino/Western European/Jazz
Nuits d’Afrique 2026 | Azara, the voice of flamenco takes root in Montreal
By Frédéric Cardin
Concert review Africa/Americana/Indian Ocean
Nuits d’Afrique 2026 | The Two Enriches its Creole blues
By Sandra Gasana
Concert review
PRIMAVERA SOUND – PORTO 2026 : Le Gros Petit Festival à Taille Humaine
By Patrick Baillargeon
Interview Africa/Mandingo Blues
Nuits d’Afrique 2026 | The virtuoso balafon of Seydou Diabaté, at the heart of the Kanazoé Orkestra
By Frédéric Cardin
Concert review Africa/Mandingo Blues
Nuits d’Afrique 2026 | MTELUS Falls to Grand Lamine Touré
By Sandra Gasana
Interview Amérique latine
Nuits d’Afrique 2026 | Somos Más, A Feminine and Plural Harmonies
By Juliana Cortes
Concert review Africa/DJ set
Nuits d’Afrique 2026 | Soul of Zoo confirms his “connections” on stage
By Sandra Gasana
Interview Africa
Nuits d’Afrique 2026 | The people of Guinea, Represented by their State, Pay Tribute to the “Baobab of the Night”
By Alain Brunet
Interview Electronic
Soul of Zoo Unveils “Connection,” The Result of Collaborations From Here and Abroad
By Sandra Gasana
Concert review Africa/cirque
Nuits d’Afrique 2026 | Senny Camara and Yamoussa Bangoura Join their Strings
By Sandra Gasana
Concert review Africa/Pop
Nuits d’Afrique 2026 | A Leading Voice to Kick Off the 40th Anniversary
By Alain Brunet
Concert review Rock/microtonal
La Noce 2026 | The Day I Discovered Angine de Poitrine
By Fabio Pregnolato
Concert review Blues/Americana/Africa























