Late Inspirations is the second album of the twelve planned in this complete set of Franz Schubert’s piano works, recorded by Quebec pianist and emergency physician Mathieu Gaudet. It includes the Sonata No. 3 in E major D. 459, the Ungarische Melodie D. 817, and the Drei Klavierstücke D. 946. This arrangement is a good representation of the system Gaudet chose to present his complete works: a very popular piece, accompanied by others less well known from the composer. The fact that Schubert’s repertoire is familiar in its entirety to the pianist is certainly reflected in his interpretation – one can perceive, through his highly precise playing and musical direction, the comprehensive grasp that the performer has of the great Viennese composer’s oeuvre. Gaudet’s virtuosity can also be heard through his ability to incorporate a dose of intense vitality into the tensions contained in the harmonic discourse of the pieces he lingers on. When these tensions are resolved, they provide the listener with a true sense of calm. Schubert’s repertoire, faithful to the traditions of the first half of the 19th century in Vienna, is full of them. The listener can therefore enjoy this game of tension and relaxation. Finally, the clear definition of the different musical strata is a gift for those who are keen on musical analysis, as it clearly shows the foundations of Schubert’s various works, which are very often the key to understanding his language. The beauty of this album certainly suggests that this complete set of Schubert’s piano works, as interpreted by Gaudet, will be a true musical treasure.
Latest 360 Content
Concert review expérimental / contemporain/Classical/classique
Suoni 2025 | Bozzini + Sarah Hennies: contrasts in post-minimalism
By Frédéric Cardin
Interview Jazz
Jazz at the Festival International de Jazz de Montréal explained by Modibo Keita
By Alain Brunet
Concert review classique
Montreal Chamber Music Festival | But it was a nice concert…
By Frédéric Cardin
Concert review Classical/classique
Montréal Baroque 2025 | 4 seasons: welcome to the 21st century and the climate crisis, Mr. Vivaldi
By Frédéric Cardin
Concert review Chanson francophone/Pop
Francos | The Candor and Kindness of Aliosha Schneider
By Marilyn Bouchard
Concert review Hip Hop/rap/Hip Hop
Francos | Back in Time With Saïan Supa Celebration
By Sandra Gasana
Interview Classical/classique
Festival d’art vocal de Montréal | What’s On July 2-27 at Salle Claude-Champagne?
By Alain Brunet
Interview Electronic/Moyen-Orient / Levant / Maghreb
Piknik Elektronic | Nadim Maghzal, Laylit Co-Founder : MTL Middle East Arabic Electronic Refinement, Pleasure, Fun!
By Loic Minty
Concert review Electronic/classique/Arabic/expérimental / contemporain/Rock
Suoni | Sanam, Beirut’s Eloquence on The Brink of Danger
By Alain Brunet
Concert review Jazz/Electronic/expérimental / contemporain/Soul/R&B
Suoni | Watch that ends the night records Quinton Barnes + Jason Doell & Naomi McCarroll-Butler + Liam Cole + Alex “Bad Baby” Lukashevsky
By Z Neto Vinheiras
Concert review Electronic/expérimental / contemporain/Musical Theatre
Suoni | My Thursday at the Suoni: Alex Lukashevsky, Cabaret Noir…
By Félicité Couëlle-Brunet
Interview classique/Classical/Eastern European/latino/Traditional/Musique traditionnelle mongole (khöömii)
My musical garage: interview with Ziya Tabassian for the 11th edition of Garage Concerts
By Frédéric Cardin
Concert review expérimental / contemporain
Suoni | Chik White and Ky Brooks raise their voices (but not Jessica Ackerley)
By Frédéric Cardin
Interview Electronic/classique/Rock/expérimental / contemporain/Experimental / Contemporary/Moyen-Orient / Levant / Maghreb