Country : Canada / Canada (Quebec) Label : Ensoul / Ensoul Records Genres and styles : Jazz / Pop / Soul/R&B Year : 2023

PAN M 360 / TOP 100 : Dominique Fils-Aimé – Our Roots Run Deep

· by Michel Labrecque

Over the past few weeks, our most active record reviewers have had the task of choosing their 5 favorite recordings of 2023, and here they are. This selection is unique and quite different of all you can find on the web or through traditional medias.

Our Roots Run Deep is the fourth album from the prolific Afro-Montreal singer and songwriter. It is also the first opus of a trilogy, which follows the first trilogy, consisting of the discs Nameless (2018), Stay Tuned (2019) and Three Little Words (2021). Dominique Fils-Aimé loves to challenge the current music industry, based on immediacy. It’s complicated, but she likes it a lot. Dominique loves numbers. While the first trilogy focused on Afro-American roots, this second trilogy will focus more on her personal roots and life experience. This first volume is very convincing. It’s a real work of art. With fairly simple but subtle instrumentation (double bass, percussion, trumpet, keyboards), Dominique Fils-Aimé multiplies the vocal scores and harmonies, almost endlessly, in collaboration with his producer, Jacques Roy. Percussive voices, angelic voices, painful voices, evanescent voices, which respond to each other, which contradict each other, which merge and reproduce.

To see the complete list, click here!

Latest 360 Content

FMA 2026 | Amin Reihani: Making Music a Language of Peace

FMA 2026 | Amin Reihani: Making Music a Language of Peace

The Brooks – Live in Brazil

The Brooks – Live in Brazil

Meagan Milatz – Innig

Meagan Milatz – Innig

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Damian Nisenson – Lento

Damian Nisenson – Lento

Kaoru Watanabe – The Arch

Kaoru Watanabe – The Arch

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Charlotte Greve – Waterbodies

Charlotte Greve – Waterbodies

Ernesto Cervini Quartet – Water Pistols at Dawn

Ernesto Cervini Quartet – Water Pistols at Dawn

Sophianne Girard – Si vivante

Sophianne Girard – Si vivante

Tara Davidson’s Marni Project – The Reflection of an Echo

Tara Davidson’s Marni Project – The Reflection of an Echo

Susan Fancher/Ināra Zandmane – Strange Lights

Susan Fancher/Ināra Zandmane – Strange Lights

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers