Very often, the name of a label is associated with a particular musical style. For example, Housecore Records, the label founded by Philip H. Anselmo, is associated with hardcore and grindcore, and Frontiers Music is synonymous with heavy metal, melodic metal and progressive rock. For its part, The Artisan Era (which released the most recent albums from Quebec bands Augury and First Signal) is the home of technical and progressive death metal bands, many of them with black and symphonic influences that hypnotize with their strings of notes and sinuous melodies. Inferi fits into this logic, which goes without saying since the label was co-founded by guitarist and singer Malcolm Pugh (A Loathing Requiem, ex-Entheos). The Nashville quintet’s surprise EP features five songs that give even more room to black metal, notably in the vocal harmonies of singer Stevie Boiser (Equipoise, Ashen Horde, Tethys) and Pugh. The piano at the beginning of “Eldritch Evolution”, on the instrumental “The Summoning”, and on “Aeons Torn” reinforces the symphonic side by giving an ethereal atmosphere to the melodies. Of Sunless Realms is a nice addition to Inferi’s discography, and will appeal to fans of The Black Dahlia Murder, Arsis and Enfold Darkness.
Latest 360 Content
Interview Classical/classique
Opér’actuel becomes a biennial festival: we discuss it with the artistic director Marie-Annick Béliveau
By Frédéric Cardin
Album review Classical/classique 2026
Paul Marleyn; Stéphane Lemelin – Tenderness and Tragedy
By Frédéric Cardin
Album review Classical/classique 2026
Elinor Frey ; Accademia de’ dissonanti – CPE Bach : Cello Concertos
By Frédéric Cardin
Concert review Experimental/Hip Hop
FME 2026: haha Laughing, An Avant-Garde, Sluggy Surprise
By Jake Friesen
Interview Experimental/Hip Hop
haha Laughing All the Way to the Bank
By Jake Friesen & Lyle Hendriks
Interview classique/Classical
The Four Seasons of Quebec: Interview with François Dompierre
By Frédéric Cardin
Interview Classical/classique
Colin Stetson : Exploring and reinventing trad landscapes with Brìghde Chaimbeul
By Frédéric Cardin
Album review Classical/classique 2026
Brìghde Chaimbeul and Colin Stetson – All the light in the world
By Frédéric Cardin
Concert review Experimental/percussions/Rock
FME 2026 I Mek’Dr’Dr Brings Shovels and Whimsical Post-Punk to FME
By Stephan Boissonneault
Concert review
FME 2026 I Hologramme Turns Petit Théâtre Into a Sweaty Discotheque
By Stephan Boissonneault
Concert review
FME 2026 I Lou-Adriane Cassidy Turns Main Stage Into Her Own Disco-Funk Coronation
By Stephan Boissonneault
Concert review Rock/jangle pop/Psychedelia
FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros
By Stephan Boissonneault
Concert review Rock
FME 2026 I Iguana Death Cult Converts the Non-Believers
By Stephan Boissonneault
Interview latino/Electronic























