Bishop Nehru introduces himself under his real name, Markel Scott, and invites us to enter his Nerhuvian thoughts as though they were pages in a book. The atmosphere is darker and the cover art too, but the first notes immediately refer to the album Elevator Act I and II. MF Doom, a constant since NerhuvianDOOM, is still here on tracks like “Meathead”, with its effective samples and boom-bap. The whole thing is wrapped up with an animated video full of references to hip hop culture, and moreover produced by Madlib. The album talks of loneliness, sleepless nights and a probable love story, while at the same time putting the industry that Bishop Nehru knows he depends on back in its place. From a Russian-opera sample (“Emperor”) to soul guitar coupled with saxophone, Bishop Nehru widens his palette, going from trap ambient to Tom Misch-like tracks, without neglecting to surround himself with hip hop masters such as DJ Premier. This production takes him away from the youthful freshness of his early days and leads him into deeper thoughts and acts, with a well-maintained lyricism and a style all his own, although it still reminds one a bit of Odd Future. Note that this album comes on the heels of a track released in March (“Too Lost”) which also deserves some attention.
Latest 360 Content
Concert review Caribbean/Jazz/Reggae
Nuits d’Afrique 2026 | Chris Combette: the groovy elegance of the Guyanese troubadour
By Frédéric Cardin
Concert review Africa/Jazz/cirque
Nuits d’Afrique 2026 I African Circus Courtesy of Kalabanté Hits Different
By Stephan Boissonneault
Interview latino/Western European/Jazz
Nuits d’Afrique 2026 | Azara, the voice of flamenco takes root in Montreal
By Frédéric Cardin
Concert review Africa/Americana/Indian Ocean
Nuits d’Afrique 2026 | The Two Enriches its Creole blues
By Sandra Gasana
Concert review
PRIMAVERA SOUND – PORTO 2026 : Le Gros Petit Festival à Taille Humaine
By Patrick Baillargeon
Interview Africa/Mandingo Blues
Nuits d’Afrique 2026 | The virtuoso balafon of Seydou Diabaté, at the heart of the Kanazoé Orkestra
By Frédéric Cardin
Concert review Africa/Mandingo Blues
Nuits d’Afrique 2026 | MTELUS Falls to Grand Lamine Touré
By Sandra Gasana
Interview Amérique latine
Nuits d’Afrique 2026 | Somos Más, A Feminine and Plural Harmonies
By Juliana Cortes
Concert review Africa/DJ set
Nuits d’Afrique 2026 | Soul of Zoo confirms his “connections” on stage
By Sandra Gasana
Interview Africa
Nuits d’Afrique 2026 | The people of Guinea, Represented by their State, Pay Tribute to the “Baobab of the Night”
By Alain Brunet
Interview Electronic
Soul of Zoo Unveils “Connection,” The Result of Collaborations From Here and Abroad
By Sandra Gasana
Concert review Africa/cirque
Nuits d’Afrique 2026 | Senny Camara and Yamoussa Bangoura Join their Strings
By Sandra Gasana
Concert review Africa/Pop
Nuits d’Afrique 2026 | A Leading Voice to Kick Off the 40th Anniversary
By Alain Brunet
Concert review Rock/microtonal
La Noce 2026 | The Day I Discovered Angine de Poitrine
By Fabio Pregnolato
Concert review Blues/Americana/Africa























