Bishop Nehru introduces himself under his real name, Markel Scott, and invites us to enter his Nerhuvian thoughts as though they were pages in a book. The atmosphere is darker and the cover art too, but the first notes immediately refer to the album Elevator Act I and II. MF Doom, a constant since NerhuvianDOOM, is still here on tracks like “Meathead”, with its effective samples and boom-bap. The whole thing is wrapped up with an animated video full of references to hip hop culture, and moreover produced by Madlib. The album talks of loneliness, sleepless nights and a probable love story, while at the same time putting the industry that Bishop Nehru knows he depends on back in its place. From a Russian-opera sample (“Emperor”) to soul guitar coupled with saxophone, Bishop Nehru widens his palette, going from trap ambient to Tom Misch-like tracks, without neglecting to surround himself with hip hop masters such as DJ Premier. This production takes him away from the youthful freshness of his early days and leads him into deeper thoughts and acts, with a well-maintained lyricism and a style all his own, although it still reminds one a bit of Odd Future. Note that this album comes on the heels of a track released in March (“Too Lost”) which also deserves some attention.
Latest 360 Content
Interview Electronic/Soul/R&B/South Asian
Suoni 2026 | Sunken Cages, “weird and interesting music” by Ravish Momin
By Alain Brunet
Concert review expérimental / contemporain
Suoni 2026 | Jardin botanique, bridge in the sky
By Joséphine Campbell-Lashuk
Concert review chanson française/Chanson francophone/Pop
Francos 2026 | Deux albums de Pierre Lapointe magnifiés avec l’OM
By Alain Brunet
Interview expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Alex Motta, Mexican double bassist for all contemporary expressions
By Alain Brunet
Interview expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Adrian Avendaño, all his paths for Trading Places
By Alain Brunet
Interview expérimental / contemporain
SUONI 2026 | Anju Singh, artist in residence from Vancouver to MTL
By Alain Brunet
Concert review Pop/Indie
Francos 2026 I Grand Eugène, Small Dreampop Indie, Ready For Main Stage
By Stephan Boissonneault
Concert review Pop/Rock
Francos 2026 I Zélie, jeune merveille à découvrir !
By Stephan Boissonneault
Concert review Chanson francophone
Francos 2026 | In the “Leloupsphere”… in the Dome and its aftermath
By Alain Brunet
Concert review Caribbean/Soul/R&B
Francos 2026 | Malaka, blending soul, folk, and Caribbean influences
By Sandra Gasana
Interview Classical/classique
Montréal Baroque Fest 2026 | Between food, whisky, concerts, and discoveries: A lot of sensations just before summer
By Frédéric Cardin
Concert review Classical/classique
Classica 2026 – Too hot and humid for Schubert, and the instruments
By Frédéric Cardin
Interview classique/jeunesse
Jeunesses Musicales Canada 2026-2027: Mission, Music for Everyone
By Frédéric Cardin
Album review Classical/classique 2026
Quatuor Voxpopuli – Novák, Schulhoff, Liatochynskyï
By Frédéric Cardin
Interview Jazz























