Country : United States Label : Nehruvia Genres and styles : Hip Hop / Jazz / Soul Year : 2020

Nehruvia: My Disregarded Thoughts

· by Rédaction PAN M 360

Bishop Nehru introduces himself under his real name, Markel Scott, and invites us to enter his Nerhuvian thoughts as though they were pages in a book. The atmosphere is darker and the cover art too, but the first notes immediately refer to the album Elevator Act I and II. MF Doom, a constant since NerhuvianDOOM, is still here on tracks like “Meathead”, with its effective samples and boom-bap. The whole thing is wrapped up with an animated video full of references to hip hop culture, and moreover produced by Madlib. The album talks of loneliness, sleepless nights and a probable love story, while at the same time putting the industry that Bishop Nehru knows he depends on back in its place. From a Russian-opera sample (“Emperor”) to soul guitar coupled with saxophone, Bishop Nehru widens his palette, going from trap ambient to Tom Misch-like tracks, without neglecting to surround himself with hip hop masters such as DJ Premier. This production takes him away from the youthful freshness of his early days and leads him into deeper thoughts and acts, with a well-maintained lyricism and a style all his own, although it still reminds one a bit of Odd Future. Note that this album comes on the heels of a track released in March (“Too Lost”) which also deserves some attention. 

Latest 360 Content

FIJM  | Samara Joy: Pushing Classic Vocal Jazz Repertoire to its Limits

FIJM | Samara Joy: Pushing Classic Vocal Jazz Repertoire to its Limits

Suoni | The Jellicle KIKI Ball #2 – Feline Grace is Served

Suoni | The Jellicle KIKI Ball #2 – Feline Grace is Served

Suoni | The Dark, Wicked, Warm and Absurd on the Same Dish

Suoni | The Dark, Wicked, Warm and Absurd on the Same Dish

FIJM | Azimuth: Brazilian Jazz Fusion of the Highest Order

FIJM | Azimuth: Brazilian Jazz Fusion of the Highest Order

FIJM | Anomalie and Lewis: Two hour Jam by Two Heavy Hitters

FIJM | Anomalie and Lewis: Two hour Jam by Two Heavy Hitters

FIJM | Thanya Iyer and Arooj Aftab, Perfect Transplants!

FIJM | Thanya Iyer and Arooj Aftab, Perfect Transplants!

Festival de Lanaudière | Renaud Loranger Explains The Program

Festival de Lanaudière | Renaud Loranger Explains The Program

FIJM | Kojo Melché Roney, Born to Drum

FIJM | Kojo Melché Roney, Born to Drum

FIJM 2025 | King Makaya triumphs again

FIJM 2025 | King Makaya triumphs again

FIJM | It’s About Time to Ackowledge Peter Evans Fabulous Playing

FIJM | It’s About Time to Ackowledge Peter Evans Fabulous Playing

FIJM | Yasmin Williams: Reinventing The Guitar!

FIJM | Yasmin Williams: Reinventing The Guitar!

FIJM | Natalia Lafourcade Sparks a Place des Arts Gone Mexican

FIJM | Natalia Lafourcade Sparks a Place des Arts Gone Mexican

FIJM | Clown Core: the theatre of extremes, between Pennywise and Krusty

FIJM | Clown Core: the theatre of extremes, between Pennywise and Krusty

Domaine Forget | A Summer of Discovery

Domaine Forget | A Summer of Discovery

FIJM | Wynton & JLCO: Something of an Opening Ceremony

FIJM | Wynton & JLCO: Something of an Opening Ceremony

SUONI | Kalmunity: STARS SHINE DARKLY in a night of powerful words, words of love and raging roars, healing grooves and dissent manners

SUONI | Kalmunity: STARS SHINE DARKLY in a night of powerful words, words of love and raging roars, healing grooves and dissent manners

Suoni 2025 | Farida Amadou ++: an apotheosis of adrenaline discharge

Suoni 2025 | Farida Amadou ++: an apotheosis of adrenaline discharge

Serge Fiori’s Imprint (1952-2025)

Serge Fiori’s Imprint (1952-2025)

Suoni 2025 | Bozzini + Sarah Hennies: contrasts in post-minimalism

Suoni 2025 | Bozzini + Sarah Hennies: contrasts in post-minimalism

Queenie | An Artist to Look Out For

Queenie | An Artist to Look Out For

Jazz at the Festival International de Jazz de Montréal explained by Modibo Keita

Jazz at the Festival International de Jazz de Montréal explained by Modibo Keita

FIJM 2025 | Programming Explained by Modibo Keita (part 2)

FIJM 2025 | Programming Explained by Modibo Keita (part 2)

Montreal Chamber Music Festival | But it was a nice concert…

Montreal Chamber Music Festival | But it was a nice concert…

Montréal Baroque 2025 | 4 seasons: welcome to the 21st century and the climate crisis, Mr. Vivaldi

Montréal Baroque 2025 | 4 seasons: welcome to the 21st century and the climate crisis, Mr. Vivaldi

Subscribe to our newsletter