Bishop Nehru introduces himself under his real name, Markel Scott, and invites us to enter his Nerhuvian thoughts as though they were pages in a book. The atmosphere is darker and the cover art too, but the first notes immediately refer to the album Elevator Act I and II. MF Doom, a constant since NerhuvianDOOM, is still here on tracks like “Meathead”, with its effective samples and boom-bap. The whole thing is wrapped up with an animated video full of references to hip hop culture, and moreover produced by Madlib. The album talks of loneliness, sleepless nights and a probable love story, while at the same time putting the industry that Bishop Nehru knows he depends on back in its place. From a Russian-opera sample (“Emperor”) to soul guitar coupled with saxophone, Bishop Nehru widens his palette, going from trap ambient to Tom Misch-like tracks, without neglecting to surround himself with hip hop masters such as DJ Premier. This production takes him away from the youthful freshness of his early days and leads him into deeper thoughts and acts, with a well-maintained lyricism and a style all his own, although it still reminds one a bit of Odd Future. Note that this album comes on the heels of a track released in March (“Too Lost”) which also deserves some attention.
Latest 360 Content
Interview South Asian
Discover Le Qafila: a pop, Sufi fusion, Indian bhangra group in Montreal
By Frédéric Cardin
Interview Africa/Moyen-Orient / Levant / Maghreb/classique/Electronic/Arabic
Orientalys | DJ Mina, from classical singing to DJing
By Jeremy Fortin
Interview Traditional
Orientalys 2026 | Qi Shen and Jasmine Xu, an erhu/piano duo, mother/daughter, to discover
By Frédéric Cardin
Interview Americana/Indigenous peoples/Hip Hop
Présence autochtone | Leonard Sumner, another perspective for songwriting
By Juliana Cortes
Interview central asia/Musiques du Monde
Orientalys 2026 | Alex Iskandar: Ambassador of Central Asian Traditions in Montreal
By Frédéric Cardin
Concert review Pop/Indigenous peoples/Indigenous Soul Music
Présence Autochtone I Anyma Ora Captivates Place Des Festivals
By Michel Labrecque
Album review Classical/classique 2026
Alain Trudel; Orchestre symphonique de Trois-Rivières; Élisabeth Pion; Valérie Milot – Ravel
By Frédéric Cardin
Interview Hip Hop/Maori Traditional Music/rap
Présence Autochtone I Rei Speaks About His ‘Haka’ Rap
By Michel Labrecque
Concert review Pop/Electronic
OSHEAGA 2026 | Lorde Closes Osheaga Wired to Her Own Heartbeat
By Stephan Boissonneault
Concert review Hip Hop
OSHEAGA 2026 I Clipse Drip with Swag on the Mountain
By Stephan Boissonneault
Concert review Rock/Pop
OSHEAGA 2026 I Not For Radio Reincarnates on the Forest
By Stephan Boissonneault
Concert review Hip Hop























