Wearing the hats of both an internationally renowned instrumental ensemble and an organization well known for its thematic concerts (Concerts Voxpopuli), the Voxpopuli Quartet delivers on its first album, with sensitivity and accuracy, personal works from two great German masters. The brief Adagio and Fugue in C minor K. 546 is a contrapuntal exercise dating from 1783, with a dramatic rendering. Completed in 1825, at a time when Beethoven had been very ill, the String Quartet No. 15 in A minor, Op. 132 is characterized by its third movement divided into five sections, a mini-quartet within the work. The feeling of recollection and fullness that emerges from it constitutes one of the “summits” of music. Composed of violinists Antoine Bareil and Uliana Drugova, violist Amina Myriam Tebini, and cellist Ioav Bronchti, the Voxpopuli Quartet is an ensemble whose instrumental playing, treatment of melodic lines, dynamics and sonority reflect the quality and perceptible cooperation of the performers: refined and dynamic.
Latest 360 Content
Interview Moyen-Orient / Levant / Maghreb/classique/Arabic
FMA 2026 | Walaa Al Jundi’s Beautiful Voice, Craft And Refinement… Despite Deep Suffering In Her Region
By Alain Brunet
Concert review expérimental / contemporain/Classical/classique/Experimental / Contemporary
Le Vivier | Unleashing the Squid
By Frédéric Cardin
Interview Americana/Indian Classical/classique
Palais Montcalm | Harry Manx about “Falling Upwards”, contemplation, humility, wisdom
By Alain Brunet
Interview Classical/classique
Voces Boreales | Tempus Fugit, “to experience time differently”
By Alain Brunet
Concert review Classical/classique
Azrieli Prize: Next stop 2028, with Linda Bouchard, Luis Arias, and Matthew Rosenblum!
By Frédéric Cardin
Concert review classique/Musiques du Monde
FMA 2026 | MaqaMorphose presents Abdelwahab, Romantic Composer
By Frédéric Cardin
Concert review Jazz
Jazz@Vue | Impressive Léno duo and the elegance of Gentiane MG
By Frédéric Cardin
Album review Pop/Club/Electronic 2026
Sophia Stel – the greatest album of all time
By Stephan Boissonneault
Concert review expérimental / contemporain/Classical/classique
Le Vivier: Judith Fliedl’s Super Ultra Violin
By Frédéric Cardin
Interview classique/Musiques du Monde
Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music
By Frédéric Cardin
Concert review Electronic/Classical/classique
Guillaume Côté bewitches the Grands Ballets and the Montreal audience
By Frédéric Cardin
Album review Rock/Pop 2026
They Are Gutting a Body of Water – KOOL FAITH / LOOSIES II
By Stephan Boissonneault
Interview classique/Moyen-Orient / Levant / Maghreb
FMA 2026 | Amin Reihani: Making Music a Language of Peace
By Sandra Gasana
Concert review Électro
My Fierce Ignorant Step at Danse Danse: the seduction of emptiness
By Frédéric Cardin
Interview Jazz























