Country : Canada Label : Genres and styles : Indie Folk / Singer-Songwriter Year : 2022

Mike Edel – casseroles & flowers

· by Lyle Hendriks

Hailing from Victoria, BC, singer-songwriter Mike Edel returns with his fourth LP, casseroles & flowers (2022, PENNANT). Created alongside an accompanying documentary film, Edel and collaborators Cumulus and The Carlines have assembled a soulful and touching album that explores the themes of near-death experiences, enduring love, and acceptance of things as they are.

Edel’s production debut shines as an example of soulful, folky pop-rock. Driven, reverbed lead guitar tones pair beautifully with spacious piano rhythms, subtle synths, punchy drums, and Edel’s restrained, gorgeous vocals.

casseroles & flowers features several sombre numbers that often break into moments of joyful, musical catharsis. A great example of this is on ‘domino’, a song about Edel’s survival and recovery from a stroke. Despite the subject matter, Edel’s positivity shines through. Bright, open chords overtake the initially sad melody, giving the song a resounding optimism.

“love me the same” is more upbeat (and an album highlight), blending influences such as Harry Styles, The 1975, and Dan Mangan. It’s simple, but not lacking in depth. And like most of the album, this track’s refined sound gives it forward momentum and a certain irresistibility. 

A soulful, solo aesthetic works for Edel’s sonic brand, but his voice shines brightest amongst harmonies, such as on “casseroles & flowers” and “on to something.” Some parts could have been taken a step further, in terms of complexity. This is often true for Edel’s vocals, which can lack variation, becoming predictable towards the end. More vocal crescendos near the top of his range could have gone a long way in emotionally propelling songs through to their ends. 

Overall, Edel’s latest work is some of his finest – reflective, sentimental, and sometimes downright dramatic, it’s a beautiful arrangement of songs that clearly come straight from the heart – and it shouldn’t be missed by lovers of the genre.

Latest 360 Content

Trio Helios and the aesthetics of ugliness

Trio Helios and the aesthetics of ugliness

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music

Guillaume Côté bewitches the Grands Ballets and the Montreal audience

Guillaume Côté bewitches the Grands Ballets and the Montreal audience

They Are Gutting a Body of Water – KOOL FAITH / LOOSIES II

They Are Gutting a Body of Water – KOOL FAITH / LOOSIES II

FMA 2026 | Amin Reihani: Making Music a Language of Peace

FMA 2026 | Amin Reihani: Making Music a Language of Peace

The Brooks – Live in Brazil

The Brooks – Live in Brazil

Meagan Milatz – Innig

Meagan Milatz – Innig

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

My Fierce Ignorant Step at Danse Danse: the seduction of emptiness  

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Can You Hear the Birds ? The art of the trio according to Gentiane MG

Damian Nisenson – Lento

Damian Nisenson – Lento

Kaoru Watanabe – The Arch

Kaoru Watanabe – The Arch

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”

Charlotte Greve – Waterbodies

Charlotte Greve – Waterbodies

Ernesto Cervini Quartet – Water Pistols at Dawn

Ernesto Cervini Quartet – Water Pistols at Dawn

Sophianne Girard – Si vivante

Sophianne Girard – Si vivante

Tara Davidson’s Marni Project – The Reflection of an Echo

Tara Davidson’s Marni Project – The Reflection of an Echo

Susan Fancher/Ināra Zandmane – Strange Lights

Susan Fancher/Ināra Zandmane – Strange Lights

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers