Country : United States Label : Timesig Genres and styles : Breakbeat / Electronic / Hardcore / IDM Year : 2020

Maya

· by Philippe Navarro

Creativity is one thing; Brad Paisley writes good songs. Unbridled musical imagination, like a Naked Lunch in notes, is another. John Frusciante has practiced both, with Red Hot Chili Peppers and solo. Letur-Lefr (2009) explained why he had to leave his “mainstream act”, which appears quite mundane in comparison. Maya is in another category, that of the referential exercise, which Frusciante practises under the alias Trickfinger.

It’s easy to overlook the fact that Frusciante is only 50 years old. A true generational guitar talent, he started out in RHCP as a teenager, going straight from his bedroom to the arenas. We suspect he wasn’t listening to Use Your Illusion when he was 20. Maya is a forceful homage to the breakbeat scene of the early ’90s: Aphex Twin and The Prodigy, with echoes of Roni Size, DJ Krust, Chemical Brothers, and The Crystal Method.

Frusciante applies his talents as a sonic sculptor to Maya. On Stadium Arcadium (2006), he refined his technique of signal processing (his guitars, in this case) through modular synthesizers. The mix is relatively bare, cold and cerebral, singularly devoid of groove. The instrumentation (including what were once guitars) is at points magnified, at others distant, a technique prized by Frusciante and borrowed from George Clinton. Minimoog bass à la John Carpenter and ’70s-style “random notes” are combined with the latest sampling and digital saturation techniques.  Sonic references from the ’80s (polyphonic synths with triangular waves and arpeggiators) and the oughts (vocal samples, Moby style, with a strong use of ring modulators) are used.Maya exudes retrofuturism; where a lesser mind would have made a pastiche, Frusciante offers us a glimpse of how this repertoire will be revisited in ten years.  

Latest 360 Content

Blondshell – If You Asked For a Picture

Blondshell – If You Asked For a Picture

Hitting a Fever Pitch at the Ribbon Skirt LP Launch 

Hitting a Fever Pitch at the Ribbon Skirt LP Launch 

Wu-Tang Clan & Mathematics – Black Samson, the Bastard Swordsman.

Wu-Tang Clan & Mathematics – Black Samson, the Bastard Swordsman.

Dalit Hadass Warshaw, Boston Modern Orchestra Project / Gil Rose – Sirens

Dalit Hadass Warshaw, Boston Modern Orchestra Project / Gil Rose – Sirens

Howard Shore/Orchestre Philharmonique de Radio France – Shore : Anthology

Howard Shore/Orchestre Philharmonique de Radio France – Shore : Anthology

Quatuor Diotima – Boulez : Livre pour quatuor

Quatuor Diotima – Boulez : Livre pour quatuor

LMNL – Rainbow

LMNL – Rainbow

Strat Andriotis – Exits

Strat Andriotis – Exits

Richard Reed Parry – The Actor

Richard Reed Parry – The Actor

Tamara Stefanovich – Organised Delirium

Tamara Stefanovich – Organised Delirium

Galan Trio – Embrace

Galan Trio – Embrace

Jack Van Zandt – A Chaos of Light and Motion

Jack Van Zandt – A Chaos of Light and Motion

Tommy Crane – Reality Curated: Live at Ursa

Tommy Crane – Reality Curated: Live at Ursa

Thomas DeLio – Anti-paysage

Thomas DeLio – Anti-paysage

No Hay Banda – Steven Kazuo Takasugi : Il Teatro Rosso

No Hay Banda – Steven Kazuo Takasugi : Il Teatro Rosso

Vancouver Contemporary Orchestra; Vancouver Chamber Choir – Christopher Tyler Nickel : Mass; Te Deum

Vancouver Contemporary Orchestra; Vancouver Chamber Choir – Christopher Tyler Nickel : Mass; Te Deum

Hypercube – The Force for Good

Hypercube – The Force for Good

PUP – Who Will Look After the Dogs?

PUP – Who Will Look After the Dogs?

Duo AYA – Cycles

Duo AYA – Cycles

Papillon Social Club – Dur de la feuille

Papillon Social Club – Dur de la feuille

Coalescent Quartet – The Wall Between Us

Coalescent Quartet – The Wall Between Us

Samuel Bonnet Trio – Live in Harmony

Samuel Bonnet Trio – Live in Harmony

Marc-André Hamelin; Quatuor Takacs – Dvořák & Price : Piano Quintets

Marc-André Hamelin; Quatuor Takacs – Dvořák & Price : Piano Quintets

Subscribe to our newsletter