Country : Germany / Luxembourg Label : Naxos Genres and styles : Classical Year : 2020

Louise Farrenc (1804-1875) : Symphony No. 1, Overtures, Grand Variations on a Theme by Count Gallenberg

· by Alexandre Villemaire

History remembers Louise Farrenc today as a teacher and piano virtuoso from a long line of artists. It was not until the middle of the 20th century, with the dawn of a marked interest in works composed by women, that her compositions were once again the subject of attention. Christoph König and the European Soloists return to Farrenc’s repertoire after having recorded the composer’s two other symphonies in 2018, again on the Naxos label. With a style that navigates between the forms of a classicism and a rather conventional romanticism, the sound textures mastered by Farrenc in the Symphony No. 1 and the two Overtures give way to the complexity of her piano writing in the Grandes variations sur un thème du Comte Gallenberg, performed by pianist Jean Muller, who has won numerous awards for his elegant and dynamic playing.

Latest 360 Content

Kon-Fusion – Arriba de su Muro

Kon-Fusion – Arriba de su Muro

SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More

SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More

SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival

SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival

The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott

The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott

Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs

Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs

Boards of Canada – Inferno

Boards of Canada – Inferno

Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director

Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director

The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition

The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition

Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy

Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy

A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal

A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal

Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event

Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event

Duo BoMi – Du Liban au Kurdistan

Duo BoMi – Du Liban au Kurdistan

Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec

Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec

Classica 2026 | A Brandenburg Evening with Caprice

Classica 2026 | A Brandenburg Evening with Caprice

Abdel Grooz Brings Mozaïk to A Spectacular Close

Abdel Grooz Brings Mozaïk to A Spectacular Close

The Lake : Swan song for a Fairy Tale

The Lake : Swan song for a Fairy Tale

Classica 2026 | Klezmer music in the church!

Classica 2026 | Klezmer music in the church!

Aldous Harding – Train on the Island

Aldous Harding – Train on the Island

Sonny Rollins, le colosse dans une autre dimension

Sonny Rollins, le colosse dans une autre dimension

Primavera Sound Porto: The Sounds of Spring

Primavera Sound Porto: The Sounds of Spring

Nome Noma 3 – Québec Post-Punk et New Wave 1979-1983 

Nome Noma 3 – Québec Post-Punk et New Wave 1979-1983 

Kleztory – Rendez-Vous

Kleztory – Rendez-Vous

Drucker – See Myself Out

Drucker – See Myself Out

Palais Montcalm | Thomas Fersen, nine years later: his classics and also the theatre behind “Le choix de la reine”

Palais Montcalm | Thomas Fersen, nine years later: his classics and also the theatre behind “Le choix de la reine”

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers