Little Big, a title inspired by a fantasy novel by John Crowley, is a two-part project of the quartet led by Aaron Parks. After a first album released in 2018 on the Ropeadope label, here is the second. Much more tightly tied together than what Aaron Parks and his band played at Salle Bourgie a few months ago, Little Big II: Dreams of a Mechanical Man is part of the same aesthetic of contemporary New York jazz, mixed with indie rock, psychedelic rock, indie pop, prog and electro influences. Consisting of Parks on piano, keyboards, vibraphone and glockenspiel, Greg Tuohey on guitar, David Ginyard on bass, and Tommy Crane on drums, Little Big proposes a new New York hybridization. Jazzistic forms combining acoustic post-bop, the achievements of the jazz-fusion of the ’70s and the more contemporary elements of the ’80s and ’90s are at the heart of this effort. Originally from Seattle and transplanted to New York City, Parks has established himself as one of the leading composers, performers, improvisers and orchestra leaders in the jazz community. Little Big II: Dreams of a Mechanical Man brings together the intrinsic qualities of a contemporary jazz sound evolving at the centre-left of the spectrum: high virtuosity of the participants, cohesion of the ensemble, ability to absorb formal innovations from non-academic musical forms, concern for consonant lines close to the song form, spectacular performances, a certain complexity in the writing. Good jazz, in short…
Latest 360 Content
Concert review expérimental / contemporain/Classical/classique
Le Vivier: Judith Fliedl’s Super Ultra Violin
By Frédéric Cardin
Interview classique/Musiques du Monde
Festival du Monde Arabe 2026 | MaqaMorphose, or the dream of an oriental chamber music
By Frédéric Cardin
Concert review Electronic/Classical/classique
Guillaume Côté bewitches the Grands Ballets and the Montreal audience
By Frédéric Cardin
Album review Rock/Pop 2026
They Are Gutting a Body of Water – KOOL FAITH / LOOSIES II
By Stephan Boissonneault
Interview classique/Moyen-Orient / Levant / Maghreb
FMA 2026 | Amin Reihani: Making Music a Language of Peace
By Sandra Gasana
Concert review Électro
My Fierce Ignorant Step at Danse Danse: the seduction of emptiness
By Frédéric Cardin
Interview Jazz
Can You Hear the Birds ? The art of the trio according to Gentiane MG
By Alain Brunet
Album review Electronic/Classical/classique/Musiques du Monde 2026
Kaoru Watanabe – The Arch
By Frédéric Cardin
Concert review Classical/classique
Molinari-Mondrian: an excellent meeting of eyes, ears, Quebec, and the Netherlands
By Frédéric Cardin
Interview expérimental / contemporain/Classical/classique
Judith Fliedl, invited by Le Vivier: I love producing sounds that are not “normal.”
By Frédéric Cardin
Album review Classical/classique 2026
Susan Fancher/Ināra Zandmane – Strange Lights
By Frédéric Cardin
Interview Classical/classique
Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music
By Frédéric Cardin
Concert review classique/Classical
SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music
By Pietro Freiburger
Interview
Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic
By Michel Rondeau
Interview Classical/classique/Electronic
Akousma | Les Artefacts sonores de Roxanne Turcotte
By Alexandre Villemaire
Interview Electronic/expérimental / contemporain























