Influenced by digital culture and electronically designed rhythms, several European trios have been redesigning acoustic jazz in recent years. Phronesis (Ivo Neame, piano, Anton Eger drums, Jasper Høiby, double bass) may be the one that has best united the two aesthetics while remaining deeply jazz, as this very inspired album, recorded before a live audience, ably demonstrates. It should be noted that individual performance is less important than collective sound here. Phronesis habitually carry out compositions that are dense, complex and flexible at the same time, interweaving most expertly for the utmost gratification of jazz enthusiasts.
Latest 360 Content
Concert review Experimental/percussions/Rock
FME 2026 I Mek’Dr’Dr Brings Shovels and Whimsical Post-Punk to FME
By Stephan Boissonneault
Concert review
FME 2026 I Hologramme Turns Petit Théâtre Into a Sweaty Discotheque
By Stephan Boissonneault
Concert review
FME 2026 I Lou-Adriane Cassidy Turns Main Stage Into Her Own Disco-Funk Coronation
By Stephan Boissonneault
Concert review Rock/jangle pop/Psychedelia
FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros
By Stephan Boissonneault
Concert review Rock
FME 2026 I Iguana Death Cult Converts the Non-Believers
By Stephan Boissonneault
Interview latino/Electronic
FME 2026 | RIZOMAGIC from Bogotá: Tropical Futurism and Cosmic Tuning
By Alain Brunet
Concert review Soul/R&B/Jazz/Rock
FME 2026 I Choses Sauvages: Where the Wild Things Are
By Lyle Hendriks
Concert review expérimental / contemporain/Experimental / Contemporary/Pop
FME 2026 I Camilla Sparksss Brings the Noise
By Stephan Boissonneault
Album review Classical/classique 2026
Jackie Leung – Inside Out : Piano Music by Alvin Singleton
By Frédéric Cardin
Interview Rock/dark-rave
FME 2026: Philippe Larocque’s Top Five Acts To See This Year
By Stephan Boissonneault
