Having already tried his hand at a few soundtracks before creating Léviathan, Berger applies his visual sense to this first album, and his taste for offbeat electro pop that owes as much to Air or Bashung as to Alan Vega. Over ten tracks, the Parisian multi-instrumentalist puts various palettes of colours on his canvas; from “Bleu sous-marin” to “Fête noire”, through the purple and green of all the lights of “Vendredi”, Berger proposes an anxiolytic journey between the immensity of the firmament and unfathomable abysses.
Latest 360 Content
What to watch Rock/Soul/R&B/Ambient/Electronic
Chauffeur et Parlak – “The Napoli Run”
By Stephan Boissonneault
Concert review indie/Pop/Soul/R&B
Arlo Parks’ infectious, festive melancholy at the Beanfield.
By Luc Tremblay
Concert review Folk/Americana/Classical/classique/expérimental / contemporain/Jazz/indie
Montreal Anti-Jazz Police Festival at URSA – Day 1
By Frédéric Cardin
Interview classique/Classical
Piano Symphonique | Julia Mirzoev, Braden McConnell & Antoine Rivard-Landry
By Varun Swarup
Album review Rock/Psychedelia 2024
Single of the Day: Magick Brother & Mystic Sister “The Hierophant”
By Stephan Boissonneault
What to watch Caribbean/Rock
The Bolokos – feat. Fanswa Ladrezeau – Kouté Pou Tann
By Stephan Boissonneault
Album review expérimental / contemporain/Rock/Experimental / Contemporary 2024
Cell Press – Cages
By Alexander Quiquero
Concert review Classical/classique
Opera McGill Presents Semele: An Ambitious Evening with the Gods
By Elena Mandolini
Interview Electronic
In Pursuit Of Repetitive Beats Experience Strives for Human Connection through VR
By Salima Bouaraour
Album review Pop/Rock/Experimental / Contemporary/expérimental / contemporain 2024
PREGOBLIN – PREGOBLIN II
By Stephan Boissonneault
Concert review Classical/classique