The American vice-presidential debate on October 7 made a superstar of a certain tiny domestic pest. In our media-saturated era, however, celebrity often has less of a lifespan than that of the common housefly (which is 28 days). With that in mind, it’s imperative to jump quickly on Les Mouches (“the flies”), the new six-pack EP from the partnership of Parisian DJ/producer Soulist, mastermind of the What the Funk nights since 2003, and Ed Banger veteran Fulgeance, hailing from Caen on the northwest coast. Flagbearers for hexagonal funk in the aftermath of the French Touch movement (check out their formidable French Cassette album from a year and a half ago), each is busy enough with various projects of their own, but they reliably reconnect on the regular to pool their resources. The title track to this new joint properly pastiches New York City’s dirty disco sound of the turn of the ’80s. It’s named, after all, in honour of the late-’70s Chelsea-district nightclub, where one might have kicked back with Grace Jones and Imelda Marcos while the Bee Gees took the stage. That’s followed by “Aquarelle”, the strongest track on the EP, which is hinged on a striking piano riff highly suggestive of Serge Gainsbourg. “Mont Maudit” is interesting, a brash, playful neo-mambo that takes a strange detour into choral vocals – a field recording from a haunted mansion, perhaps. “Maneuvers” in particular showcases where the strength of Souleance lies – over simple, juicy disco grooves, copious quantities of sizzling keyboard work, on Korgs, Rhodes, and supercool clavinet. Ain’t no flies on these guys.
Latest 360 Content
Concert review Classical/classique/Jazz/expérimental / contemporain/Experimental / Contemporary
FIMAV 2026 | Josh Zubot Strings: maximum pertinence, maximum ravissement
By Alain Brunet
Concert review Indian Classical/classique/Electronic/expérimental / contemporain/Experimental / Contemporary/Jazz
FIMAV 2026 | Amirtha Kidambi: musiques séduisantes, prolixité militante
By Alain Brunet
Concert review Electronic/DJ set/Pop
Palomosa 2026: Hannah Diamond Brings The Pinkest DJ Set Ever
By Helena Palmer
Interview Rock/Electronic/Hip Hop
Palomosa 2026: Bands, Blood Rituals, and the Art of Curating a Festival – Interview with Mathieu Constance
By Lyle Hendriks
Interview Electronic/expérimental / contemporain/Classical/classique
FIMAV 2026 | “Voda” by Sarah Pagé, Sounds Inspired by Water Through Russian Mythology and Poetry
By Alain Brunet
Album review Pop 2026
Palomosa 2026: Sophia Stel – How To Win At Solitaire (Deluxe Edition)
By Stephan Boissonneault
Album review Electronic/Classical/classique 2026
Sam Davidson, Yujin Honda, Will Howie – Unrealistic Spaces
By Frédéric Cardin
Album review Art Folk/classique/Jazz 2026
Elina Duni/Rob Luft – Reaching for the Moon
By Frédéric Cardin
Album review expérimental / contemporain/classique/Classical 2026
Allison Cameron/Scott Thomson – Platanus
By Frédéric Cardin
Album review Pop/Rock/Jazz 2026
Louis Beaudoin-de la Sablonnière – Psychedelic Space Rock
By Frédéric Cardin
Interview Electronic/expérimental / contemporain/Experimental / Contemporary/Rock
FIMAV 2026 | Amirtha Kidambi: Voice, Strength, Vision, Commitment
By Alain Brunet
Interview expérimental / contemporain/Experimental / Contemporary/Jazz
FIMAV 2026 | Scott Thomson Presents His Program
By Alain Brunet
Concert review Electronic
EAF – I Can Still Love: Corporation and Andy Stott at S.A.T.
By Loic Minty
Album review expérimental / contemporain 2026























