Country : Etats-Unis Label : Grade A / Interscope Genres and styles : Emo Rap / Hip Hop / Trap Year : 2020

Legends Never Die

· by Félix Desjardins

When Juice WRLD died of an opiate overdose at the end of 2019, he was experiencing one of the most explosive ascents in hip-hop history. By the age of 21, he had a platinum-certified album, another at the top of the Billboard charts, a European tour with Nicki Minaj, and an ever-growing legion of  fans. The release of his new, posthumous album, Legends Never Die, even caused the Spotify listening platform to crash, much to the dismay of his fans. The late Jarad Higgins, a leading figure in emo rap, rarely deviates from his favourite subjects. The abuse of soft and hard drugs, mental illness, emotional insecurity – all the ingredients are present on Legends Never Die, on a base that’s sometimes trap, electro, or even pop-rock. With 21 tracks, a blatant reference to his age of death, this album must be considered more of a compilation. With no defined guideline or concept, it is an assembly of completed tracks from Juice, released by his family and his label. Regarded as one of the greatest freestylers of his time, the young Chicagoan’s sung lines are rather repetitive and make little use of his great talent as a rapper. Moreover, during the interlude “The Man, The Myth, The Legend”, excerpts from laudatory interviews with some of the biggest names in rap, such as Eminem, J. Cole and Travis Scott, testify to the world’s admiration for Juice WRLD and his sense of repartee. There’s no reinvention on Legends Never Die, it’s an album for fans already convinced by his work. Even if it’s unlikely to generate new fans, it will serve as a balm to those still in mourning, some seven months after his death.

Latest 360 Content

Transforming Hiroshima mon amour into contemporary opera: Christian Lapointe and Rosa Lind tell the story

Transforming Hiroshima mon amour into contemporary opera: Christian Lapointe and Rosa Lind tell the story

Sparks – MAD!

Sparks – MAD!

“Hiroshima, mon amour”: An Evening to Remember

“Hiroshima, mon amour”: An Evening to Remember

Peter Murphy – Silver Shade

Peter Murphy – Silver Shade

Ken Pomeroy – Cruel World

Ken Pomeroy – Cruel World

Art of the Line: Klangkarussell’s Euro Vision at SAT

Art of the Line: Klangkarussell’s Euro Vision at SAT

Festival des Saveurs | Closing With Reggae

Festival des Saveurs | Closing With Reggae

Centroamérica – a powerful docu-play about truth and connection in an age of distance and denial

Centroamérica – a powerful docu-play about truth and connection in an age of distance and denial

Lido Pimienta – La Belleza

Lido Pimienta – La Belleza

Tamir Barzilay – Phosphene Journal

Tamir Barzilay – Phosphene Journal

The best ‘’Candlelight concert‘’ ever.

The best ‘’Candlelight concert‘’ ever.

Men I Trust – Equus Caballus

Men I Trust – Equus Caballus

The Halluci Nation – Path of the Baby Face

The Halluci Nation – Path of the Baby Face

A lap steel guitar choir and an angel to end the Innovations en concert 24-25 season

A lap steel guitar choir and an angel to end the Innovations en concert 24-25 season

The OSM and Abel Selaocoe: Evenings When You’d Like to Stop Time

The OSM and Abel Selaocoe: Evenings When You’d Like to Stop Time

Reaching for the sky: Francis Choinière’s challenge to end his OPCM’s 10th season

Reaching for the sky: Francis Choinière’s challenge to end his OPCM’s 10th season

Piknic 3: A Little Bit of Everything Under the Sun

Piknic 3: A Little Bit of Everything Under the Sun

Cazzu – Latinaje

Cazzu – Latinaje

Stereolab – Instant Holograms On Metal Film

Stereolab – Instant Holograms On Metal Film

SMCQ | In memoriam Jocelyn Morlock

SMCQ | In memoriam Jocelyn Morlock

Abbey Road at Festival Classica

Abbey Road at Festival Classica

Mira Choquette – Hier encore

Mira Choquette – Hier encore

Jared Dunn; Anna Gorecka – Gorecki’s World of the Piano

Jared Dunn; Anna Gorecka – Gorecki’s World of the Piano

Subscribe to our newsletter