This excellent quartet from Hull/Gatineau tosses seemingly disparate ingredients into its cauldron: French poetry, English poetry, hardcore corrosion, breakbeats, electro, free jazz, noise, guitar, synth-drums, machines, bass, saxophone, voice. The absurdity of our lives is expressed in this shaggy, explosive, derisory, cynical, caustic, curdling, critical, multi-referential, highly creative, brutal and refined language. Noisy chaos, free improvisation, punk attitude and rock-in-opposition miraculously coexist within a conceptual approach perfectly adapted to the digital age.
Latest 360 Content
Interview Classical/classique
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Concert review Classical/classique
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Concert review Électro/euro-disco
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Dossier
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Album review classique/Sacred Music/Latino/Classical/Pop 2025
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Album review Experimental / Contemporary/expérimental / contemporain/Rock/psych 2025
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Album review Electronic/Indigenous peoples 2025
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Interview Classical/classique
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Concert review classique/Classical/Traditional
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By Judith Hamel
Concert review Classical/classique
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Album review art rock/Pop/Rock/électro-indie/Electronic 2025
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Interview expérimental / contemporain/Classical/classique
SMCQ | In memoriam Jocelyn Morlock
By Alain Brunet
Album review Classical/classique 2025