This excellent quartet from Hull/Gatineau tosses seemingly disparate ingredients into its cauldron: French poetry, English poetry, hardcore corrosion, breakbeats, electro, free jazz, noise, guitar, synth-drums, machines, bass, saxophone, voice. The absurdity of our lives is expressed in this shaggy, explosive, derisory, cynical, caustic, curdling, critical, multi-referential, highly creative, brutal and refined language. Noisy chaos, free improvisation, punk attitude and rock-in-opposition miraculously coexist within a conceptual approach perfectly adapted to the digital age.
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Interview expérimental / contemporain/Classical/classique
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Concert review classique/Classical/Jazz/musique du monde/Traditional
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Interview Classical/classique/expérimental / contemporain/Musique de création
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What to watch classique/expérimental / contemporain/Jazz/musique du monde/Musique traditionnelle
Watch the 28th Opus Awards Gala live, 3 p.m., Sunday, February 2
By Rédaction PAN M 360
Concert review Classical/classique
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Interview expérimental / contemporain
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Interview classique/Jazz/Musiques du Monde/Africa/trad québécois
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Interview classique/Classical/Jazz/musique du monde/Musique traditionnelle
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Interview classique
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Interview Musical Theatre/classique/Classical
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Interview Classical/classique
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Interview période moderne/Classical/classique
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Interview classique
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Album review Folk/Americana/Chanson francophone/Pop 2025
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Concert review
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Interview expérimental / contemporain
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Concert review Classical/classique