Country : Australia Label : KGLW Genres and styles : Psych-Rock / Thrash Metal Year : 2023

King Gizzard & The Lizard Wizard – PetroDragonic Apocalypse

· by Varun Swarup

The last we heard from the lizard wizards over at King Gizzard they had released their jazziest excursion yet with Changes (2022). Of course, staying true to their chameleonic nature, the band have abandoned this direction, at least for the time being, and have made a straight-up thrash metal album with PetroDragonic Apocalypse. If you’re able to keep up with the band’s output, this is not entirely surprising as PetroDragonic Apocalypse is a successor to 2019’s Infest the Rat’s Nest, which saw the band thrashing it up for the first time. 

With PetroDragonic Apocalypse it seems the four years since Infest the Rat’s Nest have done the group well, as the material on display here is superior to its predecessor: the riffs go harder, the runs run faster, and the arrangements are generally more progressive. With two tracks that push the 9 minute mark, it’s clear the band have gotten comfortable.  Infest the Rat’s Nest had a sort of doom metal flavour that is not as apparent here, and the tracks here all harken back to the glory days of the 1980’s – Megadeth, Anthrax, Slayer, Motörhead, etc. The bold and burning opening number, “Motor Spirit”, makes the points of reference rather obvious. 

Thematically PetroDragonic Apocalypse is consistent with Infest the Rat’s Nest, with the band effectively making another concept album centred around environmental destruction. The full title reads as much: PetroDragonic Apocalypse; or, Dawn of Eternal Night: An Annihilation of Planet Earth and the Beginning of Merciless Damnation. While it is easy to feel like King Gizzard are making this music in jest, they make it feel so light and effortless, the music is exceptionally demanding to play and the musicians deserve praise for it, especially drummer Michael Cavanagh, who must have at least a few blisters after these sessions. 

Still, as with Infest the Rat’s Nest, I wouldn’t recommend this to fans of King Gizzard as much as I would to fans of metal. Stylistically the music is too entrenched by genre conventions that you have to at least enjoy the sound of metal to some extent to get the most out of this release. Equally however, this could serve as the introduction to thrash you never knew you needed.

Latest 360 Content

We’ll Remember April… at the 9th Floor

We’ll Remember April… at the 9th Floor

Violons du Roy | Bernard Labadie Presents His 2026–2027 season

Violons du Roy | Bernard Labadie Presents His 2026–2027 season

Greenhouse Ensemble – Mezzanine

Greenhouse Ensemble – Mezzanine

Manela – Éclat nocturne

Manela – Éclat nocturne

Yuki B – Romance

Yuki B – Romance

2026-2027 Season of the Bourgie Hall: Let’s Talk About It with the two directors

2026-2027 Season of the Bourgie Hall: Let’s Talk About It with the two directors

APACALDA – LIE 4 U

APACALDA – LIE 4 U

Soul of Zoo Unveils “Connection,” The Result of Collaborations From Here and Abroad

Soul of Zoo Unveils “Connection,” The Result of Collaborations From Here and Abroad

Tracks and Feel: Live Sports at Bar le Ritz PDB

Tracks and Feel: Live Sports at Bar le Ritz PDB

Status/Non-Status – Big Changes

Status/Non-Status – Big Changes

Pro Musica / Mélodînes | Piano four hands delight with La Fiammata

Pro Musica / Mélodînes | Piano four hands delight with La Fiammata

The Shits – Diet Of Worms

The Shits – Diet Of Worms

Poison Ruïn – Hymns From The Hills

Poison Ruïn – Hymns From The Hills

Crack Cloud – Peace And Purpose

Crack Cloud – Peace And Purpose

Grace Ives, extremely intimate and volatile

Grace Ives, extremely intimate and volatile

Grace Ives – Girlfriend

Grace Ives – Girlfriend

Grace Ives Is the Not So Shy ‘Girlfriend’

Grace Ives Is the Not So Shy ‘Girlfriend’

KLO: A New Chapter in Music with The Single “Benito”

KLO: A New Chapter in Music with The Single “Benito”

OperaM3F | When a jazz quartet meets versatile voices

OperaM3F | When a jazz quartet meets versatile voices

Geneviève Bilodeau – Rendre Grâce

Geneviève Bilodeau – Rendre Grâce

Valérie Lacombe: From Classical Violin to Jazz Drums

Valérie Lacombe: From Classical Violin to Jazz Drums

UdeM – Ultrasound | Florence Dubé, Allison Chidiac, Alexandre Hamel, Alexandre Vaillant, Florence Lafontaine, Olivier Martin-Fréchette, Charles Anthony Raymond-Plante, Jacob Boucher, Rafaël Bouthillette, Félix Gervais-Richard

UdeM – Ultrasound | Florence Dubé, Allison Chidiac, Alexandre Hamel, Alexandre Vaillant, Florence Lafontaine, Olivier Martin-Fréchette, Charles Anthony Raymond-Plante, Jacob Boucher, Rafaël Bouthillette, Félix Gervais-Richard

UdeM – Ultrasound | Aurélie Théroux Sénécale, Maurice du Berger, Zao Dinel, Platon Beliaevskin, Ziryab El Hihi, Ac Riznar, Alex Ronald Brisson, Matisse Charbonneau, Jaden Brown

UdeM – Ultrasound | Aurélie Théroux Sénécale, Maurice du Berger, Zao Dinel, Platon Beliaevskin, Ziryab El Hihi, Ac Riznar, Alex Ronald Brisson, Matisse Charbonneau, Jaden Brown

Nuits d’Afrique Productions | Zalam Kao, Grand Prize Winner of the Syli d’Or

Nuits d’Afrique Productions | Zalam Kao, Grand Prize Winner of the Syli d’Or

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers