Montreal-based group The Franklin Electric made its mark in Quebec and elsewhere in the world, starting in 2014. The tune “This is How I Let You Down” is largely responsible for their success. The impression was given that it illustrated the genetic code of the band, namely melodic electro-folk-rock with a strong dose of Coldplay’s emoting. A bit saccharine, sometimes. Then came Blue Ceilings (2017), a very pop production with little that stood out. Finally, a very positive evolution in the band’s work was marked by the arrival of two mini-albums. First was In Your Head (August 2019), with songs less amplified and more purified. The follow-up In Your Heart is in the same vein. Singer Jon Matte’s sensual, dramatic and solemn voice – somewhere between that of Patrick Watson and Devon Portielje from Half Moon Run – is driven by smooth, rhythmic melodies that charm from the very first listen. The song “Anything For Love”, which opens the record, is particularly masterful. Bass and drums give body to the romantic anthem. Moreover, the highs and lows of the heart are (still) the creative incubators for this six-track EP. It’s beautiful, but the band never colours outside of the lines. One thing’s for sure, In Your Heart, like In Your Head, is capably crafted, the band’s best offering to date. The guys are likely to hit a lot of stages thanks to this new material, which should reach both their fans and perhaps some more reticent music lovers.
Latest 360 Content
Album review Folk/Americana 2025
Éli Doyon et la Tempête – Attraper le ciel avant qu’il tombe
By Frédéric Cardin
Album review classique 2025
Barbara Hannigan; Katia et Marielle Labèque – Electric Fields
By Frédéric Cardin
Interview classique
Festival de Lanaudière | Kent Nagano: The eternal, and always welcome, return
By Frédéric Cardin
Concert review Electronic
Off Piknic with Gorgon City, Dennis Ferrer, Riordan, and Linska
By Marc-Antoine Bernier
Album review art rock/psychédélique/Rock/rock n’ roll 2025
Jeff Bridges – Slow Magic, 1977-1978
By Stephan Boissonneault
Concert review Electronic
Piknic Electronik | DJ Fuckoff Turns Up The Heat for Pep Rally
By Rédaction PAN M 360
Interview Classical/classique
Orford 2025 | Collectif9: folk that innovates and grooves
By Frédéric Cardin
Concert review Africa
Nuits d’Afrique 2025 | The next global star of Tuareg blues is born, and it is in Montreal
By Frédéric Cardin
Interview classique/Classical
Lanaudière Festival | The Sparkle of Strauss, Schumann, and Brahms in Joliette
By Alexandre Villemaire
Interview classique/Classical
Festival de Lanaudière | Franco Fagioli and the voice of bel canto
By Alexandre Villemaire
Concert review Africa/Electronic/latino
Nuits d’Afrique | El Gato Negro, A Feline Like No Other
By Sandra Gasana
Concert review Gnawa
Nights of Africa 2025 | A gnawa fusion reactor named Saïd Mesnaoui
By Frédéric Cardin
Concert review Africa
Nuits d’Afrique 2025 | Sousou and Maher Cissoko: benevolence and complicity
By Frédéric Cardin
Concert review Classical/classique