Being the daughter of an Afro-American jazzman has its good sides and this EP illustrates them well. Crystal Murray, a young Parisian gem for fans of eclectic music, sets her velvety voice against sounds that inevitably evoke the dancefloors of the 1990s. The neo-soul influence is omnipresent on I Was Wrong, and gives to each track a roundness and a warmth that propels the dance groove into a vaporous universe that we can imagine stitched with glimmers of fuchsia. These days, there’s no more reason to be surprised by the relationship between age, or musical maturity, and quality. Crystal Murray may be 18 years old, but everything here is mastered and finely worked out, from the lyrics to the staging of her videos, as well as in the assembly of in-depth musical styles. Although she’s new to the music scene, her musical background, both family and personal, can be felt in this EP. All that’s left to do is to turn the knob all the way up and get carried away by the throbbing groove of “Princess.
Latest 360 Content
Interview Jazz
Life is a fragrance: conclusion of the Trilogy of Scents by Jacques Kuba Seguin
By Frédéric Cardin
Interview Classical/classique/Jazz
Classica 2026 | Michel Legrand, Opera, Symphony, Jazz… Lorraine Desmarais Tells All!
By Alain Brunet
Concert review classique/Classical
CMIM 2026 | Japan Triumphs with Russian and Hungarian Music!
By Julie Thériault
Interview Electronic/Soul/R&B/Pop
SAT | Johnny Jewel back in MTL for a live set of his vast and impressive work
By Alain Brunet
Interview classique/Jazz
Domaine Forget 2026 | A Full Summer in The Musical Paradise of Charlevoix
By Alain Brunet
Concert review Africa
With Yatou, Noubi Brings Together Voices From Around the World
By Sandra Gasana
Interview Electronic
SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More
By Ariel Rutherford
Interview Electronic
SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival
By Félicité Couëlle-Brunet
Interview Classical/classique
The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott
By Alain Brunet
Album review Classical/classique/latino 2026
Juan Sebastian Delgado – Tangos imaginarios
By Frédéric Cardin
Interview Classical/classique
Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs
By Frédéric Cardin
Interview classique/concours/violon
Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director
By Alexandre Villemaire
Interview classique/concours/violon
The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition
By Alexandre Villemaire
Concert review Classical/classique
Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy
By Michel Rondeau
Concert review Classical/classique
A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal
By Frédéric Cardin
Interview Africa/Amérique latine/Caribbean
Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event
By Sandra Gasana
Interview classique























