Country : Russia Label : Gitaracula Genres and styles : Rock / Surf Year : 2020

Don’t Say Cheese

· by Rupert Bottenberg

Russia’s leading contribution to the retro reverb revival of the last few decades is Messer Chups, which is tremolo tsar Oleg Gitaracula and his rhythm section, bassist Zombierella and drummer Rockin’ Eugene – a pair that are almost literal incarnations of The Rocky & Bullwinkle Show’s Boris and Natasha. 

Their latest of many albums was released on the first of May, which would have been like the Fourth of July for these comrades from Saint Petersburg, were we still in the Cold War era. That’s the antiquated zeitgeist the trio wallow in, though it isn’t Soviet kitsch that turns their cranks, but rather all-American Atomic Age trash culture – particularly vintage horror movies.

Funny thing about Messer Chups is how much more conventional they’ve become over the 20 years they’ve been at it. Their early records were rife with snatches of B-movie dialogue, Halloween sound effects, and strange instrumentation. They were like the creature-feature complement to the kitsch retrofuturism of Man or Astro-man? in a drive-in double bill. Both bands treated the proverbial rock ’n’ roll garage as a science lab.

Don’t Say Cheese sticks tight to straightforward surf rock, tossing in in a bit of burlesque R&B grind (“Cadabra Box Pandora Strip”), and several curious covers. These include a variant on the prototypical synth-pop tune “Popcorn”, which they’ve covered before, and a surprisingly beautiful instrumental of Chris Isaak’s tearjerker “Wicked Game”. Two originals are reprised with vocals c/o Zombierella, whose spooky Slavic femme-fatale affectations are a definite plus. 

Latest 360 Content

Martin Saint – Seekers

Martin Saint – Seekers

Single of The Day: “Spirit Bomb” by Tucana

Single of The Day: “Spirit Bomb” by Tucana

Lucy Dacus – Forever Is A Feeling

Lucy Dacus – Forever Is A Feeling

Deafheaven – Lonely People With Power

Deafheaven – Lonely People With Power

The art of entertaining: according to Gang of Four

The art of entertaining: according to Gang of Four

Centre des Musiciens de Monde brings us the martial art of singing!

Centre des Musiciens de Monde brings us the martial art of singing!

Syli d’Or 2025 | Latin America in the final with MARZOS and MATEO

Syli d’Or 2025 | Latin America in the final with MARZOS and MATEO

Syli d’Or 2025 | Reunion Island in The Running with Kozé

Syli d’Or 2025 | Reunion Island in The Running with Kozé

Frank Zappa’s Roxy & Elsewhere + Apostrophe = Rox(Postroph)y played by Dweezil’s Band

Frank Zappa’s Roxy & Elsewhere + Apostrophe = Rox(Postroph)y played by Dweezil’s Band

Jaco – Plan F

Jaco – Plan F

JACO Intends to Succeed With Its Plan F

JACO Intends to Succeed With Its Plan F

The TWO, The Unlikely Blues Duo

The TWO, The Unlikely Blues Duo

Soir de jazz symphonique à Laval

Soir de jazz symphonique à Laval

Meggie Lennon – My Best Self

Meggie Lennon – My Best Self

Critique Love… Critical Minerals in Montreal’s Underground

Critique Love… Critical Minerals in Montreal’s Underground

The Mars Volta – Lucro sucio; Los ojos del vacio

The Mars Volta – Lucro sucio; Los ojos del vacio

Laurence Hélie – Tendresse et bienveillance

Laurence Hélie – Tendresse et bienveillance

From Zigaz to Charlie Juste

From Zigaz to Charlie Juste

FACS, WORKS, and DahL at Quai Des Brumes

FACS, WORKS, and DahL at Quai Des Brumes

Before Sitting Down Alone at The Piano, Ingrid St-Pierre Responds

Before Sitting Down Alone at The Piano, Ingrid St-Pierre Responds

Virginia MacDonald, clarinet rising soloist with ONJM

Virginia MacDonald, clarinet rising soloist with ONJM

Lionel Belmondo , Yannick Rieu and l’OSL: Symphonic Jazz Around Brahms, Ravel and Boulanger

Lionel Belmondo , Yannick Rieu and l’OSL: Symphonic Jazz Around Brahms, Ravel and Boulanger

Djo – The Crux

Djo – The Crux

Université de Montréal: Stars shine on music’s next gen

Université de Montréal: Stars shine on music’s next gen

Subscribe to our newsletter