Toiling in darkwave, a style that has lost some of its freshness, Minuit Machine offers a confident work that easily stands out by its engaging character. The four tracks are all driven by the same impetuousness. The waters it sails are turbulent as well as deep. The title track, which opens the album, is unequivocal: a martial rhythm and a call to face the waves with all one’s being, head first. Extremely danceable, all the tracks are permeated with this same echo. The light pop accents of the chorus of “Danger” cohabit with this implacable intention. Only Stioui’s muted voice reveals a certain sensuality. “Lovers of the night” takes up the eternal theme of the rave romantic. The dreadfully effective bass, dramatic strings, and deafening electronics strengthen the listener’s adherence. Reveries are conjured up of nocturnal raves, where dancing heals the wounds and nourishes the soul and the body. Striking orchestral touches give a certain nobility to this ode to the dancefloor. Finally, “To Control” wobbles and pulls itself together, trying to tame the beast, our own and others’. There is a kind of gentleness, even tenderness, despite the vindictiveness of the whole: the softness of black souls. An excellent piece of work!
Latest 360 Content
Interview Electronic/Soul/R&B/Pop
SAT | Johnny Jewel back in MTL for a live set of his vast and impressive work
By Alain Brunet
Interview classique/Jazz
Domaine Forget 2026 | A Full Summer in The Musical Paradise of Charlevoix
By Alain Brunet
Concert review Africa
With Yatou, Noubi Brings Together Voices From Around the World
By Sandra Gasana
Interview Electronic
SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More
By Ariel Rutherford
Interview Electronic
SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival
By Félicité Couëlle-Brunet
Interview Classical/classique
The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott
By Alain Brunet
Interview Classical/classique
Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs
By Frédéric Cardin
Interview classique/concours/violon
Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director
By Alexandre Villemaire
Interview classique/concours/violon
The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition
By Alexandre Villemaire
Concert review Classical/classique
Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy
By Michel Rondeau
Concert review Classical/classique
A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal
By Frédéric Cardin
Interview Africa/Amérique latine/Caribbean
Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event
By Sandra Gasana
Interview classique
Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec
By Frédéric Cardin
Concert review Africa/Moyen-Orient / Levant / Maghreb
Abdel Grooz Brings Mozaïk to A Spectacular Close
By Sandra Gasana
Album review Pop/Rock 2026























