Toiling in darkwave, a style that has lost some of its freshness, Minuit Machine offers a confident work that easily stands out by its engaging character. The four tracks are all driven by the same impetuousness. The waters it sails are turbulent as well as deep. The title track, which opens the album, is unequivocal: a martial rhythm and a call to face the waves with all one’s being, head first. Extremely danceable, all the tracks are permeated with this same echo. The light pop accents of the chorus of “Danger” cohabit with this implacable intention. Only Stioui’s muted voice reveals a certain sensuality. “Lovers of the night” takes up the eternal theme of the rave romantic. The dreadfully effective bass, dramatic strings, and deafening electronics strengthen the listener’s adherence. Reveries are conjured up of nocturnal raves, where dancing heals the wounds and nourishes the soul and the body. Striking orchestral touches give a certain nobility to this ode to the dancefloor. Finally, “To Control” wobbles and pulls itself together, trying to tame the beast, our own and others’. There is a kind of gentleness, even tenderness, despite the vindictiveness of the whole: the softness of black souls. An excellent piece of work!
Latest 360 Content
Concert review Jazz
FIJM 2026 / Chief Xian aTunde Adjuah: Anti-Jazz Hero… Nevertheless… Chief!
By Varun Swarup
Interview Jazz
FIJM 2026 | Interview with Kalia Vandever, a new voice for the trombone
By Frédéric Cardin
Concert review Caribbean/Soul/R&B
FIJM 2026 I Naïka Brings The Caribbean to Jazz Fest
By Vitta Morales
Concert review Hip Hop
FIJM 2026 I The Alchemist Exhibits Why He’s Hip Hop’s Beat and Sampling Master
By Stephan Boissonneault
Interview Jazz
FIJM 2026 | Joshua Redman: Notes and Thoughts from the Modern Jazz Giant
By Harry Skinner
Interview Classical/classique
Lanaudière Festival 2026 | Gala de la Terre and Saint Lawrence River protection with the Agora Orchestra on Opening Night
By Frédéric Cardin
Album review Electronic/Experimental / Contemporary/expérimental / contemporain 2026
Kane Parsons & Edo Van Breeman – Backrooms (Original Soundtrack)
By Stephan Boissonneault
Concert review Pop/Rock/Classical/classique/pop symphonique
FIJM 2026 | St. Vincent Symphonic: Pure Ecstasy
By Alain Brunet
Concert review Jazz
FIJM 2026 I Hiromi Uehara: A Musical Journey Full of (Sonic) Wonder
By Harry Skinner
Interview Jazz
FIJM 2026 | Rémi Cormier takes us up in his own Ascenseur pour l’échafaud
By Frédéric Cardin
Interview Caribbean/Africa/Soul/R&B
FIJM 2026 | Marvin Caleb at the Heart of the Afro Revival in the Caribbean
By Keithy Antoine
Interview Jazz/trompette






















