Feel like listening to a death metal album – like in the old days? If so, the 14th album from this band, formed in 1988, is for you. Despite a multitude of changes in its ranks and a split from 2003 to 2005, Sinister has remained true to the sound of the first wave of death metal. Aad Kloosterwaard, Sinister’s drummer from 1988 to 2003 before moving to the microphone in 2005, is the only original member of the band that turned heads with Cross the Styx in 1992. Like all the band’s previous albums, Deformation of the Holy Realm opens with an intro of great solemnity (here, “The Funeral March”), which carries over to the songs “Apostle of the Weak”, “Scourge by Demons”, “Oasis of Peace (Blood from the Chalice)” and “The Ominous Truth”. As for the rest, you get a wall of death metal strewn with solos and breakdowns that invite some furious headbanging. Try the title track, “Unique Death Experience” and “Suffering from Immortal Death” for proof.
Latest 360 Content
Interview classique/concours/violon
Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director
By Alexandre Villemaire
Interview classique/concours/violon
The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition
By Alexandre Villemaire
Concert review Classical/classique
Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy
By Michel Rondeau
Concert review Classical/classique
A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal
By Frédéric Cardin
Interview Africa/Amérique latine/Caribbean
Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event
By Sandra Gasana
Interview classique
Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec
By Frédéric Cardin
Concert review Africa/Moyen-Orient / Levant / Maghreb
Abdel Grooz Brings Mozaïk to A Spectacular Close
By Sandra Gasana
Album review Pop/Rock 2026
Nome Noma 3 – Québec Post-Punk et New Wave 1979-1983
By Stephan Boissonneault
Interview chanson française
Palais Montcalm | Thomas Fersen, nine years later: his classics and also the theatre behind “Le choix de la reine”
By Alain Brunet
Interview classique/concours/violon
The art of judging with Lucie Robert, president of the jury of the International Music Competition
By Alexandre Villemaire
Interview Electronic























