Feel like listening to a death metal album – like in the old days? If so, the 14th album from this band, formed in 1988, is for you. Despite a multitude of changes in its ranks and a split from 2003 to 2005, Sinister has remained true to the sound of the first wave of death metal. Aad Kloosterwaard, Sinister’s drummer from 1988 to 2003 before moving to the microphone in 2005, is the only original member of the band that turned heads with Cross the Styx in 1992. Like all the band’s previous albums, Deformation of the Holy Realm opens with an intro of great solemnity (here, “The Funeral March”), which carries over to the songs “Apostle of the Weak”, “Scourge by Demons”, “Oasis of Peace (Blood from the Chalice)” and “The Ominous Truth”. As for the rest, you get a wall of death metal strewn with solos and breakdowns that invite some furious headbanging. Try the title track, “Unique Death Experience” and “Suffering from Immortal Death” for proof.
Latest 360 Content
Concert review microtonal/Rock
FIJM 2026 | The polka dot alien Québécois craze has landed
By Vitta Morales
Interview Electronic/Jazz/Soul/R&B
FIJM 2026 | Louis Cole and David Binney, crucial players of an extended family in LA
By Alain Brunet
Concert review Jazz
FIJM 2026 | Cécile Mc-Lorin Salvant Wins the Ella Fitzgerald Award During a Thrilling Concert!
By Michel Labrecque
Concert review Classical/classique/Rock
FIJM 2026 | Flore Laurentienne, The Ultimate Honor
By Alain Brunet
Concert review Rock/Folk/Americana
FIJM 2026 I The Barr Brothers say ‘thank you’ to Montreal
By Stephan Boissonneault
Interview classique/Jazz/Musiques du Monde
Summer 2026 at Cammac: Stéphane Tétreault, Schubert, jazz, brunch, and hypnosis on the program
By Frédéric Cardin
Interview Jazz/Americana/Traditional
FIJM 2026 | Solarium: Traditional Music Through the Lens of Jazz
By Alain Brunet
Interview Jazz/Experimental / Contemporary/expérimental / contemporain/Folk/Americana
Suoni 2026 | Time travelling with Wendy Eisenberg
By Joséphine Campbell-Lashuk
Interview Electronic/Soul/R&B/South Asian
Suoni 2026 | Sunken Cages, “weird and interesting music” by Ravish Momin
By Alain Brunet
Concert review expérimental / contemporain
Suoni 2026 | Jardin botanique, bridge in the sky
By Joséphine Campbell-Lashuk
Concert review chanson française/Chanson francophone/Pop
Francos 2026 | Deux albums de Pierre Lapointe magnifiés avec l’OM
By Alain Brunet
Interview expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Alex Motta, Mexican double bassist for all contemporary expressions
By Alain Brunet
Interview Rock/Jazz/expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Dancing on chaos with The Ex
By Michel Rondeau
Interview expérimental / contemporain/Experimental / Contemporary
Suoni 2026 | Adrian Avendaño, all his paths for Trading Places
By Alain Brunet
Interview expérimental / contemporain
SUONI 2026 | Anju Singh, artist in residence from Vancouver to MTL
By Alain Brunet
Concert review Pop/Indie
Francos 2026 I Grand Eugène, Small Dreampop Indie, Ready For Main Stage
By Stephan Boissonneault
Concert review Pop/Rock






















