If you’re not already familiar with this Montreal-based band, it’s important to point out that the pleasure of listening to their third album grows as you get to know their eclectic and humorous universe. Once you get your head around the overlapping musical styles in the songs – punk, metal and alternative rock rubbing shoulders with the classical incursions poured in by the piano arrangements (“Si J’aurais”, “Ça Sent L’Brûlé”) – and assimilate the second degree of the lyrics, Coquerelle Molotov becomes more coherent to the ears. Fans of System of a Down, Mr. Bungle, Fantômas, Arseniq 33 and Grimskunk are the ones who will find themselves most easily in the arraying of styles that inspire Cirrhose et cendrier.
Latest 360 Content
Interview Classical/classique
Azrieli Prize 2026 | Adrian Mocanu : ink that fades and the memory of women troubadours
By Frédéric Cardin
Interview Classical/classique
Azrieli Prize 2026 | Hana Ajiashvili : playing with an unsolved riddle
By Frédéric Cardin
Interview Classical/classique
Azrieli Prize 2026 | Dalit Hadass Warshaw: a final letter before dying
By Frédéric Cardin
Interview
Azrieli Prize 2026 | Nicholas Denton Protsack : searching for an authentic symbiosis
By Frédéric Cardin
Album review expérimental / contemporain/Classical/classique/Experimental / Contemporary 2026
Liberté Anne & Frotae – Volume 2
By Frédéric Cardin
Interview Jazz/expérimental / contemporain/Spoken Word
FLUX 2026 | Kim Zombik’s Origin Stories with Silvervest Quartet at Sala Rossa
By Alain Brunet
Concert review Classical/classique/Africa
Concert at the 9th Floor : the African essence of the chaconne
By Frédéric Cardin
Interview expérimental / contemporain
Flux 2026 | 2nd week according to Peter Burton
By Alain Brunet
Interview Jazz/expérimental / contemporain
QMP 2026 | Hugo Blouin, spoken words and played words
By Frédéric Cardin
Concert review Electronic
SAT X Making Time | Aurora Halal, dark, pulsating, sensual vibe with mystery and emotion.
By Julius Cesaratto
Interview Africa























