Founded in 2015 by James Sommerville and Sasha Johnson, respectively principal horn player of the Boston Symphony Orchestra and principal tuba player of the National Ballet of Canada Orchestra, the Canadian National Brass Project brings together some 15 brass-players and percussionists from orchestras across Canada and the United States. On its second album, it presents a repertoire ranging from the Renaissance to the contemporary, in which the brass arrangements are as good as the original orchestrations. The programme is initially elegiac and solemn, with “Elsa’s Procession to the Cathedral”, taken from Wagner’s Lohengrin, magnified by the ceremonial brass arrangements, and followed by meditative choral works by Gabrieli and Gjeilo. In the second part of the album, the performers become more dazzling and show all the richness and dynamics of their ensemble with the complex Sensemayá, Tchaikovsky’s triumphant 1812 Overture, and two movements (Mars and Jupiter) from Holst’s orchestral suite The Planets, whose already highly cinematic aesthetic is enhanced by it.
Latest 360 Content
Concert review Electronic/Moyen-Orient / Levant / Maghreb
MUTEK 2026 | A masked duo on the Esplanade Tranquille, well, well…
By Julius Cesaratto
Interview Electronic/Rock/microtonal/Moyen-Orient / Levant / Maghreb
MUTEK 2026 | Istanbul Ghetto Club, A Sense of Déjè Vu… and of Never Having Heard It Before
By Julius Cesaratto
Concert review Rock/Punk
Vans Warped Tour Montreal: Simple Plan is Pretty Damn Close to Perfect
By Charly Blais
Interview latino/Electronic/Jazz
MUTEK 2026 | The Super Vibrant World of Chiquita Magic, from Louis Cole Big Band to Hardware Techno
By Alain Brunet
Album review Classical/classique/expérimental / contemporain 2026
Carrie Frey – Lesser Arcana
By Frédéric Cardin
Interview DJ set/Electronic/expérimental / contemporain/Experimental / Contemporary/Soul/R&B/Jazz
MUTEK 2026 | Herbert in Three Shows: The Activist, Composer and Producer Is Finally Back
By Alain Brunet
Concert review Rock
Vans Warped Tour Montreal: Big Ass Truck I. E. Whips Ghost Stage into A Frenzy
By Jake Friesen
Concert review Pop/Rock
Vans Warped Tour Montreal: 3OH!3 is Still Raunchy and Full of Bangers
By Jake Friesen
Concert review Rock
Vans Warped Tour Montreal: Joyce Manor — Wide Awake at the End of the Summer
By Lyle Hendriks
Concert review Rock
Vans Warped Tour Montreal: Concrete Vehicles is Pure Stage Violence
By Stephan Boissonneault
Concert review Rock
Vans Warped Tour Montreal: Bearings Brought Pop Punk Bliss to Ghost Stage
By Stephan Boissonneault
Album review classique 2026
Isabella d’Éloize Perron, Francis Choinière et l’Orchestre FILMharmonique – François Dompierre : Les quatre saisons du Québec
By Frédéric Cardin
Concert review Rock/Pop
Vans Warped Tour Montreal: Bowling For Soup is the Greatest Band of All Time
By Stephan Boissonneault
Interview Electronic/expérimental / contemporain/exposition
MUTEK 2026 : What Does a Laser Sound Like in the Super Galaxy Meow Meow ?
By Ariel Rutherford
Album review Classical/classique/expérimental / contemporain 2026
Olivier Alary – Vestiges
By Frédéric Cardin
Album review Jazz 2026
Domas Žeromskas – Meditations on Providence and Perseverance, Vol. 2
By Frédéric Cardin
Interview Electronic/Experimental / Contemporary/expérimental / contemporain/Rock























