Founded in 2015 by James Sommerville and Sasha Johnson, respectively principal horn player of the Boston Symphony Orchestra and principal tuba player of the National Ballet of Canada Orchestra, the Canadian National Brass Project brings together some 15 brass-players and percussionists from orchestras across Canada and the United States. On its second album, it presents a repertoire ranging from the Renaissance to the contemporary, in which the brass arrangements are as good as the original orchestrations. The programme is initially elegiac and solemn, with “Elsa’s Procession to the Cathedral”, taken from Wagner’s Lohengrin, magnified by the ceremonial brass arrangements, and followed by meditative choral works by Gabrieli and Gjeilo. In the second part of the album, the performers become more dazzling and show all the richness and dynamics of their ensemble with the complex Sensemayá, Tchaikovsky’s triumphant 1812 Overture, and two movements (Mars and Jupiter) from Holst’s orchestral suite The Planets, whose already highly cinematic aesthetic is enhanced by it.
Latest 360 Content
Interview Electronic/Soul/R&B/Pop
SAT | Johnny Jewel back in MTL for a live set of his vast and impressive work
By Alain Brunet
Interview classique/Jazz
Domaine Forget 2026 | A Full Summer in The Musical Paradise of Charlevoix
By Alain Brunet
Concert review Africa
With Yatou, Noubi Brings Together Voices From Around the World
By Sandra Gasana
Interview Electronic
SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More
By Ariel Rutherford
Interview Electronic
SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival
By Félicité Couëlle-Brunet
Interview Classical/classique
The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott
By Alain Brunet
Interview Classical/classique
Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs
By Frédéric Cardin
Interview classique/concours/violon
Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director
By Alexandre Villemaire
Interview classique/concours/violon
The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition
By Alexandre Villemaire
Concert review Classical/classique
Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy
By Michel Rondeau
Concert review Classical/classique
A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal
By Frédéric Cardin
Interview Africa/Amérique latine/Caribbean
Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event
By Sandra Gasana
Interview classique
Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec
By Frédéric Cardin
Concert review Africa/Moyen-Orient / Levant / Maghreb
Abdel Grooz Brings Mozaïk to A Spectacular Close
By Sandra Gasana
Album review Pop/Rock 2026























