Country : Canada Label : ATMA Classique Genres and styles : Classical Year : 2025

Canadian Guitar Quartet – Empty Houses

· by Frédéric Cardin

The Canadian Guitar Quartet no longer needs to demonstrate its technical quality, artistic excellence and convincing eclecticism. Empty Houses reflects the breadth of the ensemble’s repertoire: arrangements of the great classics (Bach, Mozart), high-quality vernacular music (Jobim, Bonfa) and contemporary compositions (Patrick Roux, Olga Amelkina-Vera, Renaud Côté-Giguère). The album kicks off with its strongest moment: Prologue, fougue et allegro trépidant, a composition by Patrick Roux (born 1962) which is one of the most exciting I’ve heard for this kind of grouping. Filled with thrilling or touching melodies, exciting rhythms and spectacular technical prowess, it’s a sure-fire hit in any concert! The rest, while not quite as memorable, offers some fine minutes of music. Louis Trépanier’s arrangement of tunes from Orfeu negro (Jobim/Bonfa), in three movements, is a respectful yet free tribute to the music that launched bossa nova in the West. An arrangement of Bach (Sonata sopr’il soggetto reale for flute, violin and continuo, ext. from The Musical Offering, BWV 1079) and Mozart (first movement of the Sonata for two pianos, K. 448) offer a glimpse of the great digital finesse of the four instrumentalists.

Pulsar, by composer Olga Amelkina-Vera, is an exercise in jagged rhythms not devoid of expressive demands and quality, but does not do full justice to its subject, a star spinning on itself at astonishing speed and discharging astronomical (!) doses of energy. In this sense, the same object suggested a little electronic jewel to Vangelis much longer ago and would have benefited from being translated for this kind of ensemble. The four movements of Renaud Côté-Giguère’s Empty Houses move from jazz to prog rock and Brazilian music in a very fluid and organic writing between the four instruments. Intertwined lines, with subtle but rich counterpoint, trace landscapes tinged with emotional ambivalence. The third movement is astonishing: the quartet creates sounds reminiscent of a synthetic keyboard!

A top-quality programme to match the immense talent of four musicians at the top of their game.

Latest 360 Content

Opér’actuel becomes a biennial festival: we discuss it with the artistic director Marie-Annick Béliveau

Opér’actuel becomes a biennial festival: we discuss it with the artistic director Marie-Annick Béliveau

Paul Marleyn; Stéphane Lemelin – Tenderness and Tragedy

Paul Marleyn; Stéphane Lemelin – Tenderness and Tragedy

TransQueb – Maelstrom

TransQueb – Maelstrom

Elinor Frey ; Accademia de’ dissonanti – CPE Bach : Cello Concertos

Elinor Frey ; Accademia de’ dissonanti – CPE Bach : Cello Concertos

FME 2026: haha Laughing, An Avant-Garde, Sluggy Surprise

FME 2026: haha Laughing, An Avant-Garde, Sluggy Surprise

haha Laughing All the Way to the Bank

haha Laughing All the Way to the Bank

The Four Seasons of Quebec: Interview with François Dompierre

The Four Seasons of Quebec: Interview with François Dompierre

Colin Stetson : Exploring and reinventing trad landscapes with Brìghde Chaimbeul

Colin Stetson : Exploring and reinventing trad landscapes with Brìghde Chaimbeul

Brìghde Chaimbeul and Colin Stetson – All the light in the world

Brìghde Chaimbeul and Colin Stetson – All the light in the world

FME 2026 I An Ether Afternoon with Worry

FME 2026 I An Ether Afternoon with Worry

FME 2026 I The Sadies and the Horse They Rode In On

FME 2026 I The Sadies and the Horse They Rode In On

FME 2026 I Moiré is Slowcore for Feeble Minds

FME 2026 I Moiré is Slowcore for Feeble Minds

FME 2026 I Double Truck, Double Violence

FME 2026 I Double Truck, Double Violence

FME 2026 I Mek’Dr’Dr Brings Shovels and Whimsical Post-Punk to FME

FME 2026 I Mek’Dr’Dr Brings Shovels and Whimsical Post-Punk to FME

FME 2026 I Hologramme Turns Petit Théâtre Into a Sweaty Discotheque

FME 2026 I Hologramme Turns Petit Théâtre Into a Sweaty Discotheque

FME 2026 I Lou-Adriane Cassidy Turns Main Stage Into Her Own Disco-Funk Coronation

FME 2026 I Lou-Adriane Cassidy Turns Main Stage Into Her Own Disco-Funk Coronation

FME 2026 I Thee Soreheads Are Basement Brain Surgeons

FME 2026 I Thee Soreheads Are Basement Brain Surgeons

FME 2026 I Muhoza Brings Unadulterated Joy

FME 2026 I Muhoza Brings Unadulterated Joy

FME 2026 I BALACLAVA: GOOD EFFECT ON TARGET

FME 2026 I BALACLAVA: GOOD EFFECT ON TARGET

FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros

FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros

FME 2026 I Iguana Death Cult Converts the Non-Believers

FME 2026 I Iguana Death Cult Converts the Non-Believers

FME 2026 I Max Baby is an Indie Sleeze Elf

FME 2026 I Max Baby is an Indie Sleeze Elf

FME 2026 | RIZOMAGIC from Bogotá: Tropical Futurism and Cosmic Tuning

FME 2026 | RIZOMAGIC from Bogotá: Tropical Futurism and Cosmic Tuning

FME 2026 I Birds of Prrrey’s Grungey Siren Call

FME 2026 I Birds of Prrrey’s Grungey Siren Call

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers