Better known as RAC, André Allen Anjos has built a solid reputation in mainstream remixing – Lana Del Rey, Yeah Yeah Yeahs, Weezer, Foster the People, Phoenix, Bob Marley, Imagine Dragons, New Order, Two Door Cinema Club, The Shins. BOY is not a remix album, but an ambitious project of 18 indie-pop and indietronic tracks concocted with today’s tools – software, digital gear, analog synths, electronic percussion, guitars, vocals. The songs explore the seemingly complicated childhood of their Portuguese creator (transplanted to Oregon), who seems to want to draw up a poetic assessment of it. On the other hand, the music and lyrics on the programme aren’t very complex; harmonic structures, melodic hooks, rhythms and vocals subscribe to the rules of pop culture. The interplay of the various influences (house, post-punk, neo-soul, neo-funk, pop FM, electro-pop, etc.) is worthy of interest because the producer’s paw remains identifiable from beginning to end. Among the 14 singers invited to sing his melodic lines are the American goth rocker Tropic, English neo-soul singer Jamie Lidell, South Africa’s St. Lucia, and California’s LeyeT. Unpretentious, efficient, tasteful and… These circumspect coatings transform the contents to an extent, but we can already identify the new standards of mass marketing here.
Latest 360 Content
Concert review expérimental / contemporain/Soul/R&B/Hip Hop
SUONI | Kalmunity: STARS SHINE DARKLY in a night of powerful words, words of love and raging roars, healing grooves and dissent manners
By Z Neto Vinheiras
Concert review expérimental / contemporain/Classical/classique/Jazz
Suoni 2025 | Farida Amadou ++: an apotheosis of adrenaline discharge
By Frédéric Cardin
Concert review expérimental / contemporain/Classical/classique
Suoni 2025 | Bozzini + Sarah Hennies: contrasts in post-minimalism
By Frédéric Cardin
Interview Jazz
Jazz at the Festival International de Jazz de Montréal explained by Modibo Keita
By Alain Brunet
Concert review classique
Montreal Chamber Music Festival | But it was a nice concert…
By Frédéric Cardin
Concert review Classical/classique
Montréal Baroque 2025 | 4 seasons: welcome to the 21st century and the climate crisis, Mr. Vivaldi
By Frédéric Cardin
Concert review expérimental / contemporain
Suoni | Contemporary Improvisation, Latin American Discovery
By Alain Brunet
Concert review Chanson francophone/Pop
Francos | The Candor and Kindness of Aliosha Schneider
By Marilyn Bouchard
Concert review Hip Hop/rap/Hip Hop
Francos | Back in Time With Saïan Supa Celebration
By Sandra Gasana
Interview Classical/classique
Festival d’art vocal de Montréal | What’s On July 2-27 at Salle Claude-Champagne?
By Alain Brunet
Interview Electronic/Moyen-Orient / Levant / Maghreb
Piknik Elektronic | Nadim Maghzal, Laylit Co-Founder : MTL Middle East Arabic Electronic Refinement, Pleasure, Fun!
By Loic Minty
Concert review Electronic/classique/Arabic/expérimental / contemporain/Rock
Suoni | Sanam, Beirut’s Eloquence on The Brink of Danger
By Alain Brunet
Concert review Jazz/Electronic/expérimental / contemporain/Soul/R&B
Suoni | Watch that ends the night records Quinton Barnes + Jason Doell & Naomi McCarroll-Butler + Liam Cole + Alex “Bad Baby” Lukashevsky
By Z Neto Vinheiras
Concert review Electronic/expérimental / contemporain/Musical Theatre
Suoni | My Thursday at the Suoni: Alex Lukashevsky, Cabaret Noir…
By Félicité Couëlle-Brunet
Interview classique/Classical/Eastern European/latino/Traditional/Musique traditionnelle mongole (khöömii)
My musical garage: interview with Ziya Tabassian for the 11th edition of Garage Concerts
By Frédéric Cardin
Concert review expérimental / contemporain