Country : Canada Label : Hand Drawn Dracula Genres and styles : Doom Metal / Noise / Noise Rock / Shoegaze Year : 2024

Bonnie Trash – My Love Remains The Same

· by Stephan Boissonneault

Back in 2022, we were witness to the sinister “Teeth” music video by Guelph’s gothic noisegaze duo, Bonnie Trash. At the tail end of 2022, we got the monolithic Malocchio full-length, a sonic horror story derived from familial truth. Now, two years later, we have a new EP from Bonnie Trash, who, like all things, has gone through an evolution, as it were. Now as a full-fledged four-piece, the sisters Bortolon-Vetto have added touring members, Emma Howarth-Withers (bass), and Dana Bellamy (drums), affixing a permanent and heavy rhythm section to the romantic madness.

The new EP, My Love Remains The Same, is a short one, but has Bonnie Trash locked the hell in on their tones, atmosphere, and mystifying crescendos. Emmalia’s lead guitar is piercing and layered, sounding like a maleficent banshee, while Sarafina’s vocals are all-encompassing—like a spirit gnawing at the back of your brain—while the bass guitar from Howarth-Withers holds the friction together like a sculptor glue. The themes of love, grief, and loss are felt immediately during the darkened shoegaze single “Kisses Goodbye,” a song that feels a bit Slowdive if they listened to more Christian Death. The drums sound like they are being played by sticks of pure lead, so much so that I wonder what the Bonnie Trash toms look like—cause they are taking a beating.

“What Have You Become,” might be the most danceable track Bonnie Trash has ever produced, with its discordant post-punk bend and longing chug. The outro is easily a highlight of the album with the evil-trilling lead guitar that wraps up the ungodly atmosphere in a nice fraying bow.

Last we have a doomy cover of “Red Right Hand,” by Nick Cave and the Bad Seeds—a song covered by a legion of musicians from PJ Harvey to the Arctic Monkeys. But Bonnie Trash’s spin is heavy, like a death knell, and probably fits the best in terms of the dirge-like quality Nick Cave loves. In fact, the cover makes sense, as Sarafina’s vocal style, the way certain words are enunciated and left to fester like a wound, is very Nick Cave. The little synthy haunted house bridge is also pure candy for any audiophile, a perfect cover from the Sisters Bortolon-Vetto and Co.

Latest 360 Content

SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More

SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More

SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival

SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival

The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott

The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott

Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs

Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs

Boards of Canada – Inferno

Boards of Canada – Inferno

Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director

Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director

The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition

The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition

Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy

Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy

A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal

A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal

Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event

Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event

Duo BoMi – Du Liban au Kurdistan

Duo BoMi – Du Liban au Kurdistan

Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec

Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec

Classica 2026 | A Brandenburg Evening with Caprice

Classica 2026 | A Brandenburg Evening with Caprice

Abdel Grooz Brings Mozaïk to A Spectacular Close

Abdel Grooz Brings Mozaïk to A Spectacular Close

The Lake : Swan song for a Fairy Tale

The Lake : Swan song for a Fairy Tale

Classica 2026 | Klezmer music in the church!

Classica 2026 | Klezmer music in the church!

Aldous Harding – Train on the Island

Aldous Harding – Train on the Island

Sonny Rollins, le colosse dans une autre dimension

Sonny Rollins, le colosse dans une autre dimension

Primavera Sound Porto: The Sounds of Spring

Primavera Sound Porto: The Sounds of Spring

Nome Noma 3 – Québec Post-Punk et New Wave 1979-1983 

Nome Noma 3 – Québec Post-Punk et New Wave 1979-1983 

Kleztory – Rendez-Vous

Kleztory – Rendez-Vous

Drucker – See Myself Out

Drucker – See Myself Out

Palais Montcalm | Thomas Fersen, nine years later: his classics and also the theatre behind “Le choix de la reine”

Palais Montcalm | Thomas Fersen, nine years later: his classics and also the theatre behind “Le choix de la reine”

The art of judging with Lucie Robert, president of the jury of the International Music Competition

The art of judging with Lucie Robert, president of the jury of the International Music Competition

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers