Country : France Label : No Quarter Prod. Genres and styles : Soundtrack / Synthwave Year : 2020

Blood Machines OST

· by Rupert Bottenberg

The French directorial duo known together as Seth Ickerman pushed all the right buttons for fans of sci-fi cinema of the ’80s when their low-budget, hallucinogenic, hyper-saturated “cosmic opera” Blood Machines rolled through the film-fest circuit last year. The film will be streaming on Shudder, here in Canada, as of May 21. In the meantime, the soundtrack is out, to get you in the (dark, eerie, and bombastic) mood.

The music of Carpenter Brut (aka French synthmeister Franck Hueso) isn’t a secondary concern here, it’s an essential feature, right to the roots of the film, which is an extension of the video for Carpenter Brut’s “Turbo Killer”, directed by the duo in 2016. Seth Ickerman’s cinematic style – sleek, serrated, and sensational, soaked in lurid fuschia and aqua – trips out on all the tropes of the era they’re revisiting. The match with Carpenter Brut is thus synergistic, as Hueso’s work, a sort of dark and vicious divergence from the template set by Daft Punk’s robo-disco, draws entirely on the same cinematic reference points. The perfection of pairing seems to have given Carpenter Brut a kick in the ass, as the monumental, menacing synth-rock here, howling, groaning, and churning, is a step up from 2018’s unsatisfying album Leather Teeth.

Latest 360 Content

FIJM 2026 | Kassa Overall Crumbles the Boundary Between Jazz and Hip Hop

FIJM 2026 | Kassa Overall Crumbles the Boundary Between Jazz and Hip Hop

FIJM 2026 | Domi & JD Beck: vibe, energy, musicianship

FIJM 2026 | Domi & JD Beck: vibe, energy, musicianship

FIJM 2026 | Anamaria Oramas Showcases Authentic Colombian Jazz

FIJM 2026 | Anamaria Oramas Showcases Authentic Colombian Jazz

FIJM 2026 | The Art of the Perfect Trio at Upstairs with Billy Childs

FIJM 2026 | The Art of the Perfect Trio at Upstairs with Billy Childs

FIJM 2026 | A Kind of Blue moment

FIJM 2026 | A Kind of Blue moment

FIJM 2026 | Day 10 | July 4 | Modibo Keita’s Picks

FIJM 2026 | Day 10 | July 4 | Modibo Keita’s Picks

FIJM 2026 | Aretha Tillotson Pays Tribute to Western Canada

FIJM 2026 | Aretha Tillotson Pays Tribute to Western Canada

FIJM 2026 | Music for a Crowded Elevator 

FIJM 2026 | Music for a Crowded Elevator 

FIJM 2026 | Ibrahim Maalouf All The Way… With Four Pistons!

FIJM 2026 | Ibrahim Maalouf All The Way… With Four Pistons!

FIJM 2026 I “Modes of Coltrane” in the Rain

FIJM 2026 I “Modes of Coltrane” in the Rain

FIJM 2026 | Rachel Therrien in Three Parts: It culminates on July 3 at the Festival

FIJM 2026 | Rachel Therrien in Three Parts: It culminates on July 3 at the Festival

FIJM 2026 | Day 9 | Modibo Keita’s Picks

FIJM 2026 | Day 9 | Modibo Keita’s Picks

FIJM 2026 | Kalia Vandever’s Nocturnal Trombone creates the right mood

FIJM 2026 | Kalia Vandever’s Nocturnal Trombone creates the right mood

FIJM 2026 | BEATrio: A Deluge of Warm Notes

FIJM 2026 | BEATrio: A Deluge of Warm Notes

FIJM 2026 | Kind of Blue And A Love Supreme on the Same Bill?… A Supreme Blue… What’s the Connection?

FIJM 2026 | Kind of Blue And A Love Supreme on the Same Bill?… A Supreme Blue… What’s the Connection?

FIJM 2026 | Chief Xian aTunde Adjuah: Anti-Jazz Hero… Nevertheless… Chief!

FIJM 2026 | Chief Xian aTunde Adjuah: Anti-Jazz Hero… Nevertheless… Chief!

FIJM 2026 | Elena Pinderhughes, a fine debut

FIJM 2026 | Elena Pinderhughes, a fine debut

FIJM 2026 | Interview with Kalia Vandever, a new voice for the trombone

FIJM 2026 | Interview with Kalia Vandever, a new voice for the trombone

FIJM 2026 | Day 8 | July 2 | Modibo Keita’s Picks

FIJM 2026 | Day 8 | July 2 | Modibo Keita’s Picks

FIJM 2026 | The Harp Can Count on Brandee Younger

FIJM 2026 | The Harp Can Count on Brandee Younger

FIJM 2026 | The Artistry of the Trio with Craig Taborn

FIJM 2026 | The Artistry of the Trio with Craig Taborn

FIJM 2026 I Naïka Brings The Caribbean to Jazz Fest

FIJM 2026 I Naïka Brings The Caribbean to Jazz Fest

FIJM 2026 I The Alchemist Exhibits Why He’s Hip Hop’s Beat and Sampling Master

FIJM 2026 I The Alchemist Exhibits Why He’s Hip Hop’s Beat and Sampling Master

FIJM 2026 | Joshua Redman: Notes and Thoughts from the Modern Jazz Giant

FIJM 2026 | Joshua Redman: Notes and Thoughts from the Modern Jazz Giant

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers