We’ve come to love Montreal trio BIG|BRAVE for its unique blend of hyper-saturation and folksy tunes inspired by Celtic tradition or Americana folk culture, which after all have very little to do with the metal aesthetic. A Chaos Of Flowers is the follow-up to Nature Morte, released in 2023. Comparisons with Chelsea Wolfe or Lingua Ignota are tempting, but no, let’s resist this too-easy exercise, as the use of acoustic guitars and Robin Wattie’s voice, which has nothing to do with metal or hardcore violence, invalidates any direct comparisons. Guitarist Mathieu Ball and drummer Tasy Hudson round out this trio to be what it is: one of the most singular in Canada. The tension between melodic folk and extreme saturation takes us elsewhere, with BIG|BRAVE finding a vein of its own, adding to this sweet-and-sour tension with some not inconsiderable post-rock arrangements, reminiscent of certain ethereal wave, ambient or darkwave recordings dating back to the ’80s and ’90s. From a feminine angle, the poetic lyrics explore human vulnerability, the torments of the isolated soul, the alienation of everyday life, the chaotic cohabitation of humans with nature and other burdens of existence. As the title of this excellent album makes clear, anxiety and distress go hand in hand with a genuine quest for beauty, wisdom and serenity, all of which are arguments for applauding BIG|BRAVE in their new album.
Latest 360 Content
Interview classique
Guillaume Villeneuve and Quatuor Cobalt’s Reflets du temps
By Alexandre Villemaire
Interview Jazz/Hip Hop
Coup de cœur francophone | OGB: A Triptych of EPs and A Pair of Jazz Bangereux For a Strong Comeback
By Alain Brunet
Interview Classical/classique
Elisabeth St-Gelais: “Poursuivie par le même rêve” at l’Infini
By Alexandre Villemaire
Interview Africa/Hip Hop/Electronic/konpa/Soul/R&B
Coup de cœur francophone | Sarahmée Ascends The Throne
By Martial Jean-Baptiste
Concert review classique/Classical
OSM | Alpine Symphony: When Woods Become Sherpas
By Alexis Desrosiers-Michaud
Interview classique/Classical
Francis Choinière and OPCM: 10 Seasons And Counting
By Alexandre Villemaire
Concert review Rock/Americana
Coup de cœur francophone | David Bujold and Bandit Voyage
By Michel Labrecque
Interview Brazilian/Moyen-Orient / Levant / Maghreb/percussions
Coup de cœur francophone | Mônica Freire: When Brazil Meets the Middle East… in French.
By Michel Labrecque
Album review Soul/R&B/Hip Hop 2024
Coup de cœur francophone | Joe Rocca – Hybride
By Jacob Langlois-Pelletier
Interview Jazz/Soul/R&B/nu-jazz
PHI Centre | GeminiCrab… Malika Tirolien… Caulder Nash… Sign’O the Times!
By Alain Brunet
Interview Electronic/art-folk/expérimental / contemporain
Coup de cœur francophone | Nicolet Launches Orées, Suggestions From The Unconscious
By Alain Brunet
Interview Musical Theatre/Classical/classique
Albertine in Five Stages, The Angle of Conception and Staging
By Alain Brunet
Interview opérette
Festival du Monde Arabe 2024 | The enchantment of Lebanese operetta
By Frédéric Cardin
Concert review Classical/classique
Festival du Monde Arabe 2024 | Sainte Marine: a character and a opera between two worlds
By Frédéric Cardin
Concert review classique
Jason Xu, first saxophonist to win top honors at the OSM Competition
By Alexis Desrosiers-Michaud
Concert review Jazz
ONJ, Miho Hazama and the Power of Women in New Jazz For Large Ensembles
By Vitta Morales
Interview Chanson francophone/Classical/classique