Among other projects, the excellent New York drummer Mark Guiliana guides the destiny of a band inspired by electro and hip hop. Anything new under the sun? In fact, he is one of the few to succeed at the integration without the impression of electronic ornaments affixed to a form similar to jazz fusion in the ’70s and ’80s. The percussionist and composer strives for a real encounter between the styles, resulting from digital creation. The beginning of this adventure deserves to be highlighted: in 2013, the trio Beat Music (Tim Lefebvre, bass, Jason Lindner, keyboards, Mark Guiliana, drums and machines) launched a project far from depletion three albums later.
Latest 360 Content
Interview Folk/Americana/Pop
POP FM | The Story of a True Hitmaker, Gabriel Fredette
By Alain Brunet
Album review Pop/Electro/Electronic/Rock/Western European/Americana 2026
Ão – Malandra
By Michel Labrecque
Concert review classique
Meagan Milatz and The OSM musicians: Two Opposite Universes
By Pietro Freiburger
Interview classique/Classical
Pro Musica : Armenia, Georgia and Russia expressed through a cello/piano duet
By Alain Brunet
Interview Classical/classique
Triple Concerto by Jacques Hétu: finally, a real premiere!
By Frédéric Cardin
Album review classique/Ambient/Electronic/Pop 2026
Flore laurentienne – Volume III
By Frédéric Cardin
Interview Classical/classique/musique du monde
Jordi Savall: From the Old World to the New, Songs and Dances of Oppression and Also of Hope
By Alain Brunet
Interview Classical/classique/Pop/Rock
Flore Laurentienne, Vol 3: The River and Nature, Objects of Contemplation… Orchestral
By Alain Brunet
Interview Americana/Caribbean/Jazz
Valérie Clio Makes a Luminous Comeback with Crépuscule
By Keithy Antoine
Interview A Cappella/Amérique latine/Brazilian
Mikha.elles: Latin Vibrations in Four Voices
By Sandra Gasana
Interview Jazz/Soul/R&B
Franky Freedom: and A Second for The Glory of Quebec’s Neo-Jazz Fusion
By Alain Brunet
Interview Classical/classique
Esteban la Rotta: Back to the Ancient Origins of the Lute
By Frédéric Cardin
Interview Jazz























