An ensemble notably known for its interpretations of avant-garde repertoire, winning the 2019 GRAMMY Awards for its performance on Caroline Shaw’s album “Orange” (Pulitzer Prize for Music; 2013), the Atttaca Quartet experimented with electronic music on the album “Real Life” in early 2021. Here it presents a more conventional, but unique album in its repertoire assembly, at the opposite ends of the historical spectrum, bringing together works by minimalist composers Philip Glass and Arvo Pärt as well as Renaissance works by Dowland, Allegri, Bennet, Clemens non Papa, Gibbons and Marenzio. The thematic unity that the performers bring out with great dexterity and musicality lies in the serene and almost spiritual sound aesthetics of these two worlds. One might imagine that going from Pärt’s Summa to Dowland’s sensitive” Flow my Tears” would be a clash, but it is not. The purified lines of the minimalist works are combined with the harmonic richness of the 16th and 17th century composers. At the heart of the work is Philip Glass’ String Quartet No. 3 “Mishima” with its circular rhythmic pattern, composed for the film “Mishima”: “A Life in Four Chapters” (1985) by Paul Schrader, based on the life of Japanese writer Yukio Mishima. Meditative and at the same time full of vitality, the Attacca Quartet signs another beautiful sound realization and cements its approach, that is to say a redefinition of the string quartet and its repertoire.
Latest 360 Content
What to watch Rock/Soul/R&B/Ambient/Electronic
Chauffeur et Parlak – “The Napoli Run”
By Stephan Boissonneault
Concert review indie/Pop/Soul/R&B
Arlo Parks’ infectious, festive melancholy at the Beanfield.
By Luc Tremblay
Concert review Folk/Americana/Electronic/Classical/classique/expérimental / contemporain/Jazz/indie
Montreal Anti-Jazz Police Festival at URSA – Day 1
By Frédéric Cardin
Interview classique/Classical
Piano Symphonique | Julia Mirzoev, Braden McConnell & Antoine Rivard-Landry
By Varun Swarup
Album review Rock/Psychedelia 2024
Single of the Day: Magick Brother & Mystic Sister “The Hierophant”
By Stephan Boissonneault
What to watch Caribbean/Rock
The Bolokos – feat. Fanswa Ladrezeau – Kouté Pou Tann
By Stephan Boissonneault
Album review expérimental / contemporain/Rock/Experimental / Contemporary 2024
Cell Press – Cages
By Alexander Quiquero
Concert review Classical/classique
Opera McGill Presents Semele: An Ambitious Evening with the Gods
By Elena Mandolini
Interview Electronic
In Pursuit Of Repetitive Beats Experience Strives for Human Connection through VR
By Salima Bouaraour
Album review Pop/Rock/Experimental / Contemporary/expérimental / contemporain 2024