Country : Canada États-Unis Label : Genres and styles : Indie Folk / Indie Rock / indietronica Year : 2022

Arcade Fire – WE

· by Alain Brunet

Thus, in 2022, Arcade Fire is in the age of anxiety. Thus, Arcade Fire is very clearly evoking the decline of the American empire. Like all of us, Arcade Fire waits for the lightning and the light, without getting any answer. Arcade Fire has no choice but to rely on the unconditional love of people who are united in adversity. Arcade Fire concludes this opus in the refuge of a we of the people who love each other in the current situation, central theme of the album. Totally aware of the world-historical regression we are currently rowing on, the band’s leaders poetically express the fractures, the dark perspectives… and a rather slim hope in the fraternity of communities still vibrant despite everything.

Co-directed by Win Butler and Régine Chassagne with the collaboration of the great Nigel Godrich, to whom we owe Radiohead’s albums and several others, notably Paul McCartney’s best album of the last few decades (“Chaos and Creation in the Backyard”), this album is first and foremost a return to the supergroup’s primary values. Alongside Nigel Godrich, one could have expected important formal advances, new sounds, new sonic spaces invested. But Arcade Fire is not Radiohead and Nigel Godrich probably understood that it was necessary to serve the famous band rather than to push it to surpass itself conceptually. Win and Régine’s band is first and foremost interested in making powerful songs, very often constructed in the manner of federative anthems as it is the case since Funeral, released in 2004.

One observes rather the polishing of the constitutive genres of the Arcade Fire sound: indie rock, folk rock, indietronica, dance-punk, arrangements of strings and wind instruments, evocations of the new wave or mentors such as David Byrne, David Bowie or Bruce Springsteen. But above all, we find the first identity of the famous band through some key titles, these famous songlike apotheosis preceded by a dramatic rise.

In short, the first qualities are present and will reassure the fans eager to find the band of their youth at the turn of the millennium. The others will recognize that Arcade Fire has done Arcade Fire with intensity and conviction… without upsetting anything we know about them.

Latest 360 Content

FIJM 2026 | The Harp Can Count on Brandee Younger

FIJM 2026 | The Harp Can Count on Brandee Younger

FIJM 2026 | The Artistry of the Trio with Craig Taborn

FIJM 2026 | The Artistry of the Trio with Craig Taborn

FIJM 2026 I Naïka Brings The Caribbean to Jazz Fest

FIJM 2026 I Naïka Brings The Caribbean to Jazz Fest

FIJM 2026 I The Alchemist Exhibits Why He’s Hip Hop’s Beat and Sampling Master

FIJM 2026 I The Alchemist Exhibits Why He’s Hip Hop’s Beat and Sampling Master

FIJM 2026 | Joshua Redman: Notes and Thoughts from the Modern Jazz Giant

FIJM 2026 | Joshua Redman: Notes and Thoughts from the Modern Jazz Giant

FIJM 2026 | If you love alto sax, you gotta know Immanuel Wilkins

FIJM 2026 | If you love alto sax, you gotta know Immanuel Wilkins

Lanaudière Festival 2026 | Gala de la Terre and Saint Lawrence River protection with the Agora Orchestra on Opening Night

Lanaudière Festival 2026 | Gala de la Terre and Saint Lawrence River protection with the Agora Orchestra on Opening Night

FIJM 2026 | Day 7 | July 1 | Modibo Keita’s Picks

FIJM 2026 | Day 7 | July 1 | Modibo Keita’s Picks

FIJM 2026 | Keyon Harrold, Miles and him

FIJM 2026 | Keyon Harrold, Miles and him

Kane Parsons & Edo Van Breeman – Backrooms (Original Soundtrack)

Kane Parsons & Edo Van Breeman – Backrooms (Original Soundtrack)

FIJM 2026 | St. Vincent Symphonic: Pure Ecstasy

FIJM 2026 | St. Vincent Symphonic: Pure Ecstasy

FIJM 2026 I Hiromi Uehara: A Musical Journey Full of (Sonic) Wonder

FIJM 2026 I Hiromi Uehara: A Musical Journey Full of (Sonic) Wonder

FIJM 2026 I Kamasi Washington Brings Us to Space

FIJM 2026 I Kamasi Washington Brings Us to Space

FIJM 2026 | Rémi Cormier takes us up in his own Ascenseur pour l’échafaud

FIJM 2026 | Rémi Cormier takes us up in his own Ascenseur pour l’échafaud

FIJM 2026 | Marvin Caleb at the Heart of the Afro Revival in the Caribbean

FIJM 2026 | Marvin Caleb at the Heart of the Afro Revival in the Caribbean

FIJM 2026 | Trumpeter Rachel Therrien in Several Pieces, Part 1

FIJM 2026 | Trumpeter Rachel Therrien in Several Pieces, Part 1

FIJM 2026 | Charles Lloyd: An Icon, a Legend, and So Much More

FIJM 2026 | Charles Lloyd: An Icon, a Legend, and So Much More

FIJM 2026 | Adrian Quesada, a great musical innovator in Texas

FIJM 2026 | Adrian Quesada, a great musical innovator in Texas

FIJM 2026 | The polka dot alien Québécois craze has landed

FIJM 2026 | The polka dot alien Québécois craze has landed

FIJM 2026 | Louis Cole and David Binney, crucial players of an extended family in LA

FIJM 2026 | Louis Cole and David Binney, crucial players of an extended family in LA

FIJM 2026 | Day 4 | June 28 | Modibo Keita’s Picks

FIJM 2026 | Day 4 | June 28 | Modibo Keita’s Picks

FIJM 2026 | MA:Q, a Healthy Dose of Vancouver Jazz Groove

FIJM 2026 | MA:Q, a Healthy Dose of Vancouver Jazz Groove

FIJM 2026 | Cécile Mc-Lorin Salvant Wins the Ella Fitzgerald Award During a Thrilling Concert!

FIJM 2026 | Cécile Mc-Lorin Salvant Wins the Ella Fitzgerald Award During a Thrilling Concert!

FIJM 2026 | Flore Laurentienne, The Ultimate Honour

FIJM 2026 | Flore Laurentienne, The Ultimate Honour

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers