With Pulsation, her most recent opus released last fall, violinist Angèle Dubeau and her string ensemble La Pietà (flanked by pianist Amélie Fortin and harpist Valérie Milot) have chosen the path of post-minimalism and neo-classicism, without neglecting virtuoso interpretation. The programme includes works by Ólafur Arnalds, Jean-Michel Blais, Ludovico Einaudi, Alex Baranowski, Craig Armstrong, Peter Gregson, Yann Tiersen, Abel Korzeniowski, Max Richter, Jóhann Jóhannsson, Dalal, and Micheal Nyman. These heavy tendencies lighten the instrumental offerings by restoring their consonant harmonies and melodies, also by simplifying their compositional structures. And it will fill the Salle Bourgie twice, as it did last autumn.
Latest 360 Content
Album review Pop/Rock 2026
Nome Noma 3 – Québec Post-Punk et New Wave 1979-1983
By Stephan Boissonneault
Interview chanson française
Palais Montcalm | Thomas Fersen, nine years later: his classics and also the theatre behind “Le choix de la reine”
By Alain Brunet
Interview classique/concours/violon
The art of judging with Lucie Robert, president of the jury of the International Music Competition
By Alexandre Villemaire
Interview Electronic
SAT | “Futurs Antérieurs”, 3 Decades of Expertise Focused on The Future
By Alain Brunet
Interview
Keithy Antoine from PAN M 360, Conversation with “People’s Choice / Media Dynasty”
By Alain Brunet
Interview Classical/classique
Molinari Quartet | The Shostakovich Marathon is Imminent!
By Alain Brunet
Interview Classical/classique
The Lake at Grands Ballets : Replacing Tchaïkovski… by Tchaïkovski
By Frédéric Cardin
Concert review Caribbean/Jazz
Kulusé Souriant, A Jazz Style Influenced by Caribbean Roots
By Sandra Gasana
Concert review musique de jeux vidéo/Pop
OSM | A Heroic Symphony That Doesn’t Beat the Boss
By Alexis Desrosiers-Michaud
Concert review A Cappella/classic rock/classique