We’re over the edge from the very first second here, with the infamous hellish scream launched by Margaret Chardiet, at the time 22 and a fashionable figure in New York counterculture. The ceremonial narrative she sets up is immersed in a framework of funeral noise, building to a confrontation without compromise. From power electronics to dark shamanic ambient, one Dantean state follows another, bewildering in their sordidly prodigious intransigence.
Latest 360 Content
Album review expérimental / contemporain/Experimental / Contemporary/Rock 2024
Sleepytime Gorilla Museum – Of The Last Human Being
By Laurent Bellemare
Album review Experimental / Contemporary/expérimental / contemporain/noise 2024
Uboa – Impossible Light
By Laurent Bellemare
Album review expérimental / contemporain/Classical/classique 2024
Quatuor Bozzini/JunctQin – a root or mirror, blossom, madder, cracks; together
By Frédéric Cardin
Concert review
Martyr at FME – Perpetual Death Metal Healing (Infinite Pain)
By Stephan Boissonneault
Album review Soul/R&B/Jazz 2024
Louis Cole, Metropol Orkest & Jules Buckley – Nothing
By Michel Labrecque
Concert review
Erik Fines at FME – Smooth as Tennessee Whiskey but sweet as Canadian Brandy
By Stephan Boissonneault
Concert review classique
Fête de la musique de Tremblant 2024 | The Stars of the Conservatoire shine in the cold
By Frédéric Cardin
Concert review Classical/classique
Fête de la musique de Tremblant 2024 | Mélisande McNabney and the women of Versailles
By Frédéric Cardin
Concert review Caribbean/Soul/R&B/Hip Hop/Reggae
Fête de la musique de Tremblant 2024 | Waahli, Music and Stage master
By Frédéric Cardin
Concert review classique/latino
Fête de la musique de Tremblant 2024 | Piazzolla told in words and music
By Frédéric Cardin
Concert review Jazz