Japan’s world-renowned noise master Merzbow teams up with his compatriots in Boris, a power trio (guitar, bass, drums, vocals) founded in 1992 and extremely prolific (approaching 30 albums!), known and appreciated for their mix of psychedelic rock, doom metal, and noise. Get ready to surf a doom wave! The sounds suggested here are arranged horizontally, gliding under stormy or even tempestuous skies, sailing on tumultuous waters. Very skillfully, the pilots confront the disturbances without ever being forced to crash or bail out, quite the contrary! A malicious pleasure is taken in crossing this hurricane, punctuated by a few patches of respite. This thunderous work distinguishes itself by the strong link between the sounds produced by Merzbow – extreme distortion, feedback effects, synthesizers adapted to the concept, oscillators and other home-made gizmos. Here the song forms are deconstructed with great mass strokes, in sound blocks lasting up to 13 minutes. The tempos are mostly slow or medium, the heaviness is at its maximum tolerability. It’s nevertheless formidable from start to finish! A convincing example of ambient violence produced by experienced creators who have devoted their entire lives to it. However, a warning is issues to sensitive ears and delicate hairstyles: you have to really appreciate the use of sonic jolts to appreciate this aesthetic, and enjoy coming out of it in really bad shape. We certainly did!
Latest 360 Content
Interview Classical/classique
Transforming Hiroshima mon amour into contemporary opera: Christian Lapointe and Rosa Lind tell the story
By Marilyn Bouchard
Concert review Classical/classique
“Hiroshima, mon amour”: An Evening to Remember
By Marilyn Bouchard
Concert review Électro/euro-disco
Art of the Line: Klangkarussell’s Euro Vision at SAT
By Loic Minty
Dossier
Centroamérica – a powerful docu-play about truth and connection in an age of distance and denial
By Stephan Boissonneault
Album review classique/Sacred Music/Latino/Classical/Pop 2025
Lido Pimienta – La Belleza
By Stephan Boissonneault
Album review Experimental / Contemporary/expérimental / contemporain/Rock/psych 2025
Grails – Miracle Music
By Stephan Boissonneault
Album review Electronic/Indigenous peoples 2025
The Halluci Nation – Path of the Baby Face
By Stephan Boissonneault
Interview Classical/classique
A lap steel guitar choir and an angel to end the Innovations en concert 24-25 season
By Frédéric Cardin
Concert review classique/Classical/Traditional
The OSM and Abel Selaocoe: Evenings When You’d Like to Stop Time
By Judith Hamel
Concert review Classical/classique
Reaching for the sky: Francis Choinière’s challenge to end his OPCM’s 10th season
By Frédéric Cardin
Album review art rock/Pop/Rock/électro-indie/Electronic 2025
Stereolab – Instant Holograms On Metal Film
By Stephan Boissonneault
Interview expérimental / contemporain/Classical/classique
SMCQ | In memoriam Jocelyn Morlock
By Alain Brunet
Album review Classical/classique 2025