Chamber Pop / Indie Pop / Indie Rock / indietronica / Pop / Rock

POP Montréal | We Were Stars

by Lyle Hendriks

It’s hard to place another band that has experienced the trajectory of Montreal-formed indie pop outfit Stars. Celebrating the 20-year anniversary of one of their most iconic albums, Set Yourself On Fire, we were treated to the LP in its entirety, with all the live refinements that come with playing with all original members of the band for more than two decades. 

Stars have a reputation for their unique outlook on their fans, a deep and genuine gratitude that’s earned them a niche but truly hardcore following that hasn’t waned over the years. It was a pleasure to see this attitude firsthand when Stars took the stage in front of a sold-out house in the beautiful Rialto Theatre. Lead vocalist Torquil Campbell exudes a humble grace onstage, looking out upon hundreds of smiling faces with a warmth and kindness that’s hard to put into words. “We wrote these songs for you,” he said, “Because we knew you were out there.”

Stars bring stunning confidence to these old tracks, elevating them even further with the brilliantly placed additions of saxophone and violin, which add an elegant touch of nuance and orchestral beauty to their cavernous tracks. Vocalist and guitarist Amy Millan can hardly stop smiling long enough to deliver her delicate but delicious high-end vocals, while bassist Evan Cranley pounces across the stage with every note. Chris Seligman’s synthesizer work is beautifully moderated, deftly weaving in between hair-raising riffs from Chris McCarron on lead guitar. Millan and Campbell’s voices are true magic together, and when Cranley and Seligman hop on the mic to support, we’re treated to a harmonic feast for the ears.

Of course, it’s hard to compliment the vocals of Stars without mentioning the other guest performers: Nearly every member of the crowd. I found myself awe struck at the sheer dedication and love on display from the audience, who danced, cheered, and sang along in a way that I’ve scarcely seen, even from sold-out arena shows by world-famous musicians. It was so palpable that Stars let us sing the last song of the set, “Calendar Girl” from start to finish, word for word—a beautiful chorus of hundreds of voices coming together over their shared adoration of Stars.

Stars is a phenomenon in the truest sense of the word. What other artist commands such dedication from so many, with such effortless ease? What Canadian indie band boasts the longevity and endurance of this one? Who else rejects the idea of being an idol and instead reflects all the love and gratitude back at us without the slightest hint of irony or cynicism? Stars is a band unlike any other, and it was a pleasure to watch them take this well-deserved victory lap.

Photos by Stephan Boissonneault

Latest 360 Content

Elinor Frey ; Accademia de’ dissonanti – CPE Bach : Cello Concertos

Elinor Frey ; Accademia de’ dissonanti – CPE Bach : Cello Concertos

FME 2026: haha Laughing, An Avant-Garde, Sluggy Surprise

FME 2026: haha Laughing, An Avant-Garde, Sluggy Surprise

haha Laughing All the Way to the Bank

haha Laughing All the Way to the Bank

The Four Seasons of Quebec: Interview with François Dompierre

The Four Seasons of Quebec: Interview with François Dompierre

Colin Stetson : Exploring and reinventing trad landscapes with Brìghde Chaimbeul

Colin Stetson : Exploring and reinventing trad landscapes with Brìghde Chaimbeul

Brìghde Chaimbeul and Colin Stetson – All the light in the world

Brìghde Chaimbeul and Colin Stetson – All the light in the world

FME 2026 I An Ether Afternoon with Worry

FME 2026 I An Ether Afternoon with Worry

FME 2026 I The Sadies and the Horse They Rode In On

FME 2026 I The Sadies and the Horse They Rode In On

FME 2026 I Moiré is Slowcore for Feeble Minds

FME 2026 I Moiré is Slowcore for Feeble Minds

FME 2026 I Double Truck, Double Violence

FME 2026 I Double Truck, Double Violence

FME 2026 I Mek’Dr’Dr Brings Shovels and Whimsical Post-Punk to FME

FME 2026 I Mek’Dr’Dr Brings Shovels and Whimsical Post-Punk to FME

FME 2026 I Hologramme Turns Petit Théâtre Into a Sweaty Discotheque

FME 2026 I Hologramme Turns Petit Théâtre Into a Sweaty Discotheque

FME 2026 I Lou-Adriane Cassidy Turns Main Stage Into Her Own Disco-Funk Coronation

FME 2026 I Lou-Adriane Cassidy Turns Main Stage Into Her Own Disco-Funk Coronation

FME 2026 I Thee Soreheads Are Basement Brain Surgeons

FME 2026 I Thee Soreheads Are Basement Brain Surgeons

FME 2026 I Muhoza Brings Unadulterated Joy

FME 2026 I Muhoza Brings Unadulterated Joy

FME 2026 I BALACLAVA: GOOD EFFECT ON TARGET

FME 2026 I BALACLAVA: GOOD EFFECT ON TARGET

FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros

FME 2026 I Corridor, A Psychedelic Indie Rock Ouroboros

FME 2026 I Iguana Death Cult Converts the Non-Believers

FME 2026 I Iguana Death Cult Converts the Non-Believers

FME 2026 I Max Baby is an Indie Sleeze Elf

FME 2026 I Max Baby is an Indie Sleeze Elf

FME 2026 | RIZOMAGIC from Bogotá: Tropical Futurism and Cosmic Tuning

FME 2026 | RIZOMAGIC from Bogotá: Tropical Futurism and Cosmic Tuning

FME 2026 I Birds of Prrrey’s Grungey Siren Call

FME 2026 I Birds of Prrrey’s Grungey Siren Call

FME 2026 I Choses Sauvages: Where the Wild Things Are

FME 2026 I Choses Sauvages: Where the Wild Things Are

FME 2026 I Camilla Sparksss Brings the Noise

FME 2026 I Camilla Sparksss Brings the Noise

Jackie Leung – Inside Out : Piano Music by Alvin Singleton

Jackie Leung – Inside Out : Piano Music by Alvin Singleton

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers