OSM | The Rite of Spring in all its power and magnificence

by Rédaction PAN M 360

photo by Gabriel Fournier

Tuesday evening’s opening of the Orchestre symphonique de Montréal’s 2023-2024 season at the Maison symphonique, perhaps like the season as a whole, held some very interesting surprises in store for us. Of course, the monumental Rite of Spring by Igor Stravinsky was announced with great fanfare, but that didn’t stop the audience from discovering another form of musical ritual during the concert.

Leos Janácek’s Glagolitic Mass was a nice surprise, a surprising choice as the first work to be performed this season, but one that deserves to be congratulated. The blend of liturgical tradition and late Romanticism has shaped a work that can only be appreciated for its power and spirituality. A remarkable performance, though the masterly volume of the OSM Chorus, of incredible quality as always, was a little stifling to the soloists at times.

After a well-deserved intermission for the musicians, it was the turn of the headliner to take the stage, or rather the lecterns.
The Rite of Spring is a difficult work, which gave the musicians a hard time for over a month when it was first performed in 1913. Despite this, the OSM shone repeatedly throughout the work.The timbres were perfect, the sonorities clear and sustained, and the bassoons, flutes and brass section are to be commended for their excellent performance throughout.The rhythm section was more than solid. It carried the piece, for which rhythm is so important.

The choice of tempi is particularly noteworthy in the first half of The Rite of Spring. The heaviness of the “Rondes printanières” was a little square, but above all, the ease of the speed of the lively, fast parts. As has been their mantra for the past two years, the OSM and Rafael Payare excel in intensity. In more ways than one, their performance of the second half of Stravinsky’s work demonstrates this to perfection. The mastery of the growing tension leading to sacrifice and the power of the orchestra would warm the composer’s heart. A perfect finale to a superb opening concert and, we feel, a superb season to come!

Latest 360 Content

Classica 2026 | Michel Legrand, Opera, Symphony, Jazz… Lorraine Desmarais Tells All!

Classica 2026 | Michel Legrand, Opera, Symphony, Jazz… Lorraine Desmarais Tells All!

The Musical Rebirth of Mantisse

The Musical Rebirth of Mantisse

CMIM 2026 | Japan Triumphs with Russian and Hungarian Music!

CMIM 2026 | Japan Triumphs with Russian and Hungarian Music!

SAT | Johnny Jewel back in MTL for a live set of his vast and impressive work

SAT | Johnny Jewel back in MTL for a live set of his vast and impressive work

Kon-Fusion – Arriba de su Muro

Kon-Fusion – Arriba de su Muro

Domaine Forget 2026 | A Full Summer in The Musical Paradise of Charlevoix

Domaine Forget 2026 | A Full Summer in The Musical Paradise of Charlevoix

With Yatou, Noubi Brings Together Voices From Around the World

With Yatou, Noubi Brings Together Voices From Around the World

SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More

SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More

SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival

SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival

The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott

The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott

Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs

Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs

Boards of Canada – Inferno

Boards of Canada – Inferno

Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director

Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director

The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition

The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition

Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy

Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy

A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal

A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal

Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event

Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event

Duo BoMi – Du Liban au Kurdistan

Duo BoMi – Du Liban au Kurdistan

Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec

Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec

Classica 2026 | A Brandenburg Evening with Caprice

Classica 2026 | A Brandenburg Evening with Caprice

Abdel Grooz Brings Mozaïk to A Spectacular Close

Abdel Grooz Brings Mozaïk to A Spectacular Close

The Lake : Swan song for a Fairy Tale

The Lake : Swan song for a Fairy Tale

Classica 2026 | Klezmer music in the church!

Classica 2026 | Klezmer music in the church!

Aldous Harding – Train on the Island

Aldous Harding – Train on the Island

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers