Caribbean / Dancehall / konpa / Soul/R&B

Mundial Montréal | Magdala, The New Standard for Montreal Konpa?

by Alain Brunet

“Moi j’ai 5 pieds 4 et j’ai pas besoin d’escabeau”, sings Magdala in Grind Mode, a konpa track of her own. A colleague tells me that the Montreal singer has already tried in vain to make her mark in Quebec TV voice contests. What do you think?

We all know that these contests rarely lead to a singular career, and that a tiny minority of lucky ones make a long-term name for themselves in local pop for the general public.

Even fewer make a name for themselves like Dominique Fils-Aimé, who was also noticed in these contests, and who have the strength of character to forge their own path without following the dictates of FM pop.

Magdala, on the other hand, follows neither path and paves her own: this is Montreal’s new konpa, the new standard, her own!

Wednesday at Café Campus, in the context of Mundial Montréal, Magdala was hoping to convince professionals from all over the world to sign deals with showcase artists, including Magdala in this case.

It’s time for this artist to emerge beyond the Haitian diaspora circuit – Haiti, Paris, Miami, New York, Montreal, etc. Since the 50s, every generation of konpa has had its champions, and the style has never stopped evolving without getting the credit it deserves: konpa’s rhythmic cell is the mother of Afro-descendant beats as popular as zouk, reggaeton and Nigerian afrobeats.

Magdala maintains the rhythm and spirit of konpa, but adds a number of updates that give it a distinctive signature: different keyboards from the traditional Farfisa in konpa (although some Farfisian sounds are sometimes brought back to the menu!), heavier backbeat on drums and bass, greater emphasis on guitar, integration of soul/R&B and dancehall.

Magdala’s mezzo-soprano voice flows naturally, her stage presence exudes sensuality and star power, and her authority is unmistakable. To all intents and purposes, Magdala is ready for the big leagues. But, as we all know, many legitimate contenders for the big leagues don’t win the lottery of mass success… Magdala is relatively close to her goal, and we wish her every success, because she has everything she needs to get there. No need for a stepladder!

Latest 360 Content

Arion: Cinderella has fun and unleashes her magic

Arion: Cinderella has fun and unleashes her magic

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Azrieli Prize 2026: The Four Pillars of the Temple

Azrieli Prize 2026: The Four Pillars of the Temple

Fat Dog – Cancel Me (I’m Tired)

Fat Dog – Cancel Me (I’m Tired)

Protomartyr – Hotel Usona

Protomartyr – Hotel Usona

Ensemble Caprice at the 9th: Dialogue with Carnatic India

Ensemble Caprice at the 9th: Dialogue with Carnatic India

A resurrected and vocally spectacular Cinderella at Bourgie Hall

A resurrected and vocally spectacular Cinderella at Bourgie Hall

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Girl Ultra – RRRomeo

Girl Ultra – RRRomeo

Cameron Winter – Live at Carnegie Hall

Cameron Winter – Live at Carnegie Hall

Eveybody’s Friends With Broken Social Scene

Eveybody’s Friends With Broken Social Scene

Slayyyter Brings Out The Wor$t Girls in Montreal

Slayyyter Brings Out The Wor$t Girls in Montreal

Ian Noe – Canyon Falls Trailer Band

Ian Noe – Canyon Falls Trailer Band

Uncle Acid & The Deadbeats – Shapes of Midnight

Uncle Acid & The Deadbeats – Shapes of Midnight

Death Valley Girls – Welcome to Earth

Death Valley Girls – Welcome to Earth

Death Lives!

Death Lives!

Azrieli Prize 2026 | Adrian Mocanu : ink that fades and the memory of women troubadours

Azrieli Prize 2026 | Adrian Mocanu : ink that fades and the memory of women troubadours

Azrieli Prize 2026 | Hana Ajiashvili : playing with an unsolved riddle

Azrieli Prize 2026 | Hana Ajiashvili : playing with an unsolved riddle

Samuel Bonnet Trio feat. Joe Magnarelli – Slow

Samuel Bonnet Trio feat. Joe Magnarelli – Slow

Super scintillant – Tarot

Super scintillant – Tarot

Azrieli Prize 2026 | Dalit Hadass Warshaw: a final letter before dying

Azrieli Prize 2026 | Dalit Hadass Warshaw: a final letter before dying

Krystina Marcoux : ‘’I want to put the marimba on a pedestal’’

Krystina Marcoux : ‘’I want to put the marimba on a pedestal’’

Azrieli Prize 2026 | Nicholas Denton Protsack : searching for an authentic symbiosis

Azrieli Prize 2026 | Nicholas Denton Protsack : searching for an authentic symbiosis

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers