Jazz / Latin Jazz / orchestre / saxophone

Melissa Aldana’s Soul Pierces The UdeM Big Band

by Michel Labrecque

With the cold and torrential rain pouring down on Montreal, it took a bit of courage to venture to the concert hall at the University of Montreal’s Faculty of Music. But it was well worth it: the radiant saxophone of Chilean Melissa Aldana awaited us, accompanied by a student Big Band that seemed to be firing on all cylinders. Rain? What rain?

Melissa Aldana has garnered much praise in recent years for the originality of her playing and the quality of her compositions. “She’s one of the best saxophonists on the planet,” João Lenhari, trumpeter, teacher, and musical director of the Big Band, told me during our interview. And by that, he meant regardless of gender.

Melissa usually performs in a sextet or quintet. Her only experience with a big band was a project with the Frankfurt Radio Big Band, inspired by the Mexican artist Frida Kahlo. It was a version of this project that we were treated to at the Salle Claude Champagne.

João Lenhari stated it from the outset, in his French beautifully tinged with a Portuguese accent: reproducing these compositions by Melissa Aldana arranged by Jim McNeely was a serious and complex undertaking that required many rehearsals.

Overall, the concert was excellent. The kids did a fantastic job. These pieces, which are jazz with a subtle Latin influence, are indeed difficult to perform. But overall, everything flowed smoothly. The rhythm section was particularly impeccable, in my opinion as a layperson who listens to a lot of music.

What’s particularly wonderful about this kind of concert is the humility of the “star.” Melissa Aldana gave the students plenty of space for their solos, applauding and encouraging them. I don’t know if you find that in classical music. There was a particularly moving moment when tenor saxophonist Maude Gauthier and Melissa Aldana were in dialogue, responding to each other. I wondered how fast Maude’s heart was beating. It’s an incredible opportunity!

In short, it was a warm and musically excellent evening. The only slight drawback: at times, the Big Band somewhat overpowered Melissa’s saxophone, which often conveys very subtle emotions. Fortunately, she was able to showcase her full talent in an unaccompanied solo, where the breadth of her range and nuances was evident.

I therefore recommend that you listen to her latest album Echoes Of The Inner Prophet, to appreciate her talents as a saxophonist and composer.

On December 7, the Salle Claude Champagne will host saxophonist Bob Minzer, accompanied by the university’s alumni Big Band.

Latest 360 Content

SAT | Johnny Jewel back in MTL for a live set of his vast and impressive work

SAT | Johnny Jewel back in MTL for a live set of his vast and impressive work

Kon-Fusion – Arriba de su Muro

Kon-Fusion – Arriba de su Muro

Domaine Forget 2026 | A Full Summer in The Musical Paradise of Charlevoix

Domaine Forget 2026 | A Full Summer in The Musical Paradise of Charlevoix

With Yatou, Noubi Brings Together Voices From Around the World

With Yatou, Noubi Brings Together Voices From Around the World

SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More

SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More

SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival

SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival

The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott

The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott

Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs

Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs

Boards of Canada – Inferno

Boards of Canada – Inferno

Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director

Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director

The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition

The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition

Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy

Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy

A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal

A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal

Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event

Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event

Duo BoMi – Du Liban au Kurdistan

Duo BoMi – Du Liban au Kurdistan

Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec

Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec

Classica 2026 | A Brandenburg Evening with Caprice

Classica 2026 | A Brandenburg Evening with Caprice

Abdel Grooz Brings Mozaïk to A Spectacular Close

Abdel Grooz Brings Mozaïk to A Spectacular Close

The Lake : Swan song for a Fairy Tale

The Lake : Swan song for a Fairy Tale

Classica 2026 | Klezmer music in the church!

Classica 2026 | Klezmer music in the church!

Aldous Harding – Train on the Island

Aldous Harding – Train on the Island

Sonny Rollins, le colosse dans une autre dimension

Sonny Rollins, le colosse dans une autre dimension

Primavera Sound Porto: The Sounds of Spring

Primavera Sound Porto: The Sounds of Spring

Nome Noma 3 – Québec Post-Punk et New Wave 1979-1983 

Nome Noma 3 – Québec Post-Punk et New Wave 1979-1983 

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers