Rap français

IAM: The Bosses of Marseille are in the house

by Sandra Gasana

Accompanied by Dj Daz and DJ Kheops, the legendary French rap group took to the Fizz stage to perform Petit frère. Indeed, IAM was eagerly awaited last night by a mostly French audience, but not only.

All ages were represented, even some young fans who weren’t born when the band debuted in the late 80s. For the occasion, there were four of them on stage: Akhenaton, Shurik’n, Kephren and Saïd, the group’s backing singer. They followed up with another of their hits, Samouraï, which the audience knew by heart, before continuing with Ça vient de la rue, which clearly set the crowd on fire.

All dressed in black t-shirts and jeans, they address the crowd several times, especially Akhenaton and Shurik’n, to express their gratitude to the Montreal public. “It’s a pleasure to be here,” says Akhenaton, ”the welcome’s great, as it always is, always love. And it’s off to the classic Je danse le MIA, with the famous dance step that goes with it. A return to adolescence for me. We were treated to several other tracks from their most popular album, L’école du micro d’argent, including Nés sous la même étoile, and L’empire du côté obscur. For this track, they came on stage with red lightsabers, straight out of Stars Wars, against a backdrop of red light.

“Montreal, make a fucking mess for us!” shouted Akhenaton, before the track La saga. “Tonight’s not a very long night, so let loose on all the sounds,” he advised the crowd. Indeed, the concert lasted just over an hour and started right on time, not a minute late.

Another highlight of the evening was the song Bad Boys de Marseille, which has become an anthem for their hometown. Their first concert in Montreal was in 1994, so it’s been 30 years. They also took the time to mention some of the Montreal artists they’ve collaborated with in recent years, including Meryem Saci, former member of Nomadic Massive, and Malika Tirolien, whose career is in full bloom.

As the concert draws to a close, the four of them sit on a bench for the 9-minute track Demain, c’est loin, another classic. Shurik’n and Akhenaton take turns addressing the crowd, leaving the others on the bench. “We see that not much has changed since we wrote this song, but that doesn’t stop us from thinking about tomorrow, because… tomorrow is far away,” says Akhenaton by way of introduction.

After the traditional end-of-concert photo, they leave, shouting “Palestine libre! Free Palestine! ”. IAM’s activism remains intact, even after 30 years.

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