post-romantique
Album review classique/Classical 2024
Joshua Bell/Matt Haimovitz/Various artists – Thomas De Hartmann Rediscovered
By Frédéric Cardin
Album review Classical/classique 2024
Orchestre symphonique de Laval/Alain Trudel – Champagne : Symphonie gaspésienne
By Frédéric Cardin
Album review Classical/classique 2024
Samuel Hasselhorn – Urlicht : Songs of Death and Resurrection
By Frédéric Cardin
Interview classique/Classical
L’Orchestre de l’Agora, Natasha Kanapé Fontaine, Claudie Bertounesque, Richard Strauss, Élizabeth St-Gelais | Nicolas Ellis explains the Gala de la Terre
By Alain Brunet
Concert review classique/Classical
MSO and Rafael Payare start 2024 with Mahler’s Symphony No. 7
By Alain Brunet
Interview Classical/classique/Jazz/latino
Lucienne Renaudin Vary: a new incarnation of virtuosity
By Alain Brunet
Interview classique/Classical
Jaap Nico Hamburger: Composer, Cardiologist, Soul…oist and Ariella
By Alain Brunet
Interview classique/Classical
Festival Classica: inauguration of the Nouvel Opéra Métropolitain with L’Homme qui rit
By Alexandre Villemaire
Interview classique/Classical
Concours musical international de Montréal 2023 – The penultimate stretch of finalists (Part 2)
By Alexandre Villemaire
Interview classique/Classical
Concours musical international de Montréal 2023 – the penultimate stretch of finalists (Part 1)
By Alexandre Villemaire
Column classique/Classical/Rock
A night at the MSO concert and… Godspeed You! Black Emperor
By Alain Brunet
Album review classique/Classical 2023
Yannick Nézet-Séguin / Orchestre métropolitain – Sibelius : Symphonies nos 3 et 4
By Frédéric Cardin
Interview classique/Classical
Erik Ochsner conducts immersive music, Star Wars:The Empire Strikes Back
By Alain Brunet
Interview classique/Classical