Musique de création
Concert review expérimental / contemporain
5ilience at Quai 5160: A Bold and Contrasting Program
By Jeremy Fortin
Interview expérimental / contemporain
Codes d’Accès | Battements: Geneviève Ackerman presents “Rimes défaites par le Sphinx”
By Alain Brunet
Interview expérimental / contemporain
Codes d’Accès | Battements: Emmanuel Jacob Lacopo presents “Home” and “I Never Want To See That Day”
By Alain Brunet
Interview expérimental / contemporain
Codes d’Accès | Battements : Alexandre Amat presents “Tracé, Fossiles”
By Alain Brunet
Interview Classical/classique/expérimental / contemporain
SMCQ | Classics and Creation, A Conversation Across Generations
By Alain Brunet
Concert review expérimental / contemporain/Multidisciplinaire
(MTL X Monterrey) + (saxophones + dance) = The Breath of the Body
By Jeremy Fortin
Interview expérimental / contemporain
5ilience | Devinim, When Sounds Move Through The Reeds
By Jeremy Fortin
Concert review expérimental / contemporain/Multidisciplinaire
Semaine du Neuf | Lovemusic: A Clash of Bodies and Sounds
By Jeremy Fortin
Interview expérimental / contemporain/Multidisciplinaire
Semaine du Neuf | Lovemusic et Protest of the Physical : the body (of musicians) has its reasons
By Jeremy Fortin
Interview expérimental / contemporain
Semaine du Neuf | Ictus: Ula Sickle on Gestures of Resistance
By Loic Minty
Concert review expérimental / contemporain
Semaine du Neuf | Five Visions of Movement Between Instruments and Electronics
By Jeremy Fortin
Concert review expérimental / contemporain
Semaine du Neuf | Fragmentations and encounters of the Body in “Speak no words – Le silence des mots”
By Laurent Pellerin
Interview expérimental / contemporain
Semaine du Neuf | Bozzini, an evening where the Nine converge
By Loic Minty
Concert review expérimental / contemporain
Semaine du Neuf | In the half-light, Ensemble Éclat makes l’Espace Orange shine
By Jeremy Fortin
Interview Jazz/expérimental / contemporain
ONJ | Two Long Pieces From Jean Derome’s Considerable and Daring Body of Work
By Alain Brunet
Interview expérimental / contemporain
SMCQ | Philippe Leroux and The “Hijacking” of the Founding Idea of a Concerto
By Alain Brunet
Interview Classical/classique/expérimental / contemporain
SMCQ, 60th anniversary | Intergenerational Dialogues, 6 Programs Until May
By Alain Brunet
Interview Classical/classique/expérimental / contemporain
Atma Classique | Caprice and ArtChoral This Fall 2025: Vivaldi and 13 Canadian Women Composers
By Alain Brunet
Album review Classical/classique/expérimental / contemporain 2025
ArtChoral – Canada (13 Works by Canadian Women Composers)
By Alexis Desrosiers-Michaud
Concert review Classical/classique/expérimental / contemporain
Quatuor Molinari | Blair Thomson’s Miniatures, Kelly-Marie Murphy’s Dark Energy, R. Murray Schafer’s No. 4
By Jeremy Fortin
Interview Classical/classique/musique acousmatique/expérimental / contemporain
Akousma | James O’Callaghan and “Fear of the Dark”, an electroacoustic Halloween
By Alain Brunet
Concert review expérimental / contemporain
Quatuor Quasar, 40 Years After the Tragic Death of Claude Vivier
By Jeremy Fortin
Interview Classical/classique/expérimental / contemporain
SMCQ | Intergenerational and Choral Dialogue: “Au Chœur du Québec”
By Alain Brunet