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« Classical

Contemporary Creative Music

Andile Khumalo – Tracing Hollow Traces
Album review expérimental / contemporain/Classical/classique 2024

Andile Khumalo – Tracing Hollow Traces

By Frédéric Cardin
FLUX | Wadada Leo Smith, One of Creative Music’s Most Prolific
Interview Contemporary/Classical/classique

FLUX | Wadada Leo Smith, One of Creative Music’s Most Prolific

By Alain Brunet
Elisabet Curbelo – Resonance Unbound
Album review Classical/classique 2024

Elisabet Curbelo – Resonance Unbound

By Frédéric Cardin
Paramirabo – Voix jetées
Album review Classical/classique 2024

Paramirabo – Voix jetées

By Frédéric Cardin
Mélanie Harel – Envols
Album review Classical/classique 2024

Mélanie Harel – Envols

By Frédéric Cardin
Molinari Quartet, 9th International Composition Competition: Finalists Performed in Concert
Interview Classical/classique

Molinari Quartet, 9th International Composition Competition: Finalists Performed in Concert

By Alain Brunet
David Merrill – Golden Oranges of Mars
Album review Classical/classique/Électronique 2024

David Merrill – Golden Oranges of Mars

By Frédéric Cardin
Denman Maroney Quintet – The Air-Conditioned Nightmare
Album review Classical/classique/Jazz 2024

Denman Maroney Quintet – The Air-Conditioned Nightmare

By Frédéric Cardin
Lina Bahn – Axolotl
Album review Classical/classique 2024

Lina Bahn – Axolotl

By Frédéric Cardin
Mark Haney – Placentia Bay: Summer of 1941
Album review Classical/classique 2024

Mark Haney – Placentia Bay: Summer of 1941

By Frédéric Cardin
MUTEK 2024 | Kode9, One Hour With a Master
Concert review Classical/classique/Electronic/Experimental / Contemporary/expérimental / contemporain/jungle

MUTEK 2024 | Kode9, One Hour With a Master

By Alain Brunet
MUTEK 2024 | After The Pole Position…
Concert review Classical/classique/Electronic/Experimental / Contemporary/expérimental / contemporain

MUTEK 2024 | After The Pole Position…

By Alain Brunet
Newfoundland Symphony Orchestra Sinfonia/Mark Fewer – Alikeness
Album review Classical/classique 2024

Newfoundland Symphony Orchestra Sinfonia/Mark Fewer – Alikeness

By Frédéric Cardin
MUTEK 2024 | Tati au Miel… Burning Reverie
Concert review Electronic/Classical/classique/Experimental / Contemporary/expérimental / contemporain

MUTEK 2024 | Tati au Miel… Burning Reverie

By Alain Brunet
Benjamin Wallfisch – Alien : Romulus
Album review Classical/classique

Benjamin Wallfisch – Alien : Romulus

By Frédéric Cardin
Doug Wilde – The Sixth Dimension
Album review Classical/classique/Jazz 2024

Doug Wilde – The Sixth Dimension

By Frédéric Cardin
Richard Carr – August Light
Album review Electronic/Classical/classique 2024

Richard Carr – August Light

By Frédéric Cardin
Colin Fisher – Suns of the Heart
Album review Electronic/Classical/classique 2024

Colin Fisher – Suns of the Heart

By Frédéric Cardin
Suoni per il popolo | A chat with a contemporary music legend: Howard Skempton
Interview Classical/classique

Suoni per il popolo | A chat with a contemporary music legend: Howard Skempton

By Frédéric Cardin
L’Orchestre de l’Agora, Natasha Kanapé Fontaine, Claudie Bertounesque, Richard Strauss, Élizabeth St-Gelais | Nicolas Ellis explains the Gala de la Terre
Interview classique/Classical

L’Orchestre de l’Agora, Natasha Kanapé Fontaine, Claudie Bertounesque, Richard Strauss, Élizabeth St-Gelais | Nicolas Ellis explains the Gala de la Terre

By Alain Brunet
Surrealist dive at Innovations en concert
Concert review expérimental / contemporain/Classical/classique

Surrealist dive at Innovations en concert

By Frédéric Cardin
Rachel Kiyo Iwaasa – Known & UnKnown: Solo Piano Works by Rodney Sharman
Album review Classical/classique 2024

Rachel Kiyo Iwaasa – Known & UnKnown: Solo Piano Works by Rodney Sharman

By Frédéric Cardin
Information: Montreal Oct. 1970 by Tim Brady: a first opera about the October ’70 Crisis
Interview Classical/classique

Information: Montreal Oct. 1970 by Tim Brady: a first opera about the October ’70 Crisis

By Frédéric Cardin
Bahar Harandi’s feminist Iran
Concert review classique/Classical

Bahar Harandi’s feminist Iran

By Frédéric Cardin
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