Country : Hungary Label : Harmonia Mundi Genres and styles : Contemporary Year : 2025

Isabelle Faust/Les Siècles; François-Xavier Roth – Ligeti : Concertos

· by Frédéric Cardin

Gyorgi Ligeti’s erudite eclecticism has long earned him the stature of iconoclast, original or maverick of contemporary music. He disliked isms in music, i.e. stylistic schools that were vectors of rigid dogma. He preferred to use everything that could expressively and satisfactorily nourish his discourse, be it strict avant-garde techniques, folklore or non-European popular and learned music. He might have resented it, but his vision has become the norm in these days of triumphant post-modernism (another ism, you see…).

This masterfully performed and recorded album bears witness to the richness and complexity of the Ligetian “language” from the very beginning of its existence. Like the rediscovery of the Concerto Românesc, an early work in the form of a tribute to the popular styles of his native Hungary. A distant cousin of Schnittke’s Suite in Old Style or Bartok’s folkloristic explorations.

But the real masterpieces here are the Violin and Piano Concertos. The Concerto for violin is in five movements and is a remarkable synthesis of the history of music. Strong symbols serve as anchor points to illustrate the musical periods evoked (e.g. the flute and ocarinas for the Baroque, cross-hatched rhythms for medieval hiccups, etc.). But Ligeti uses them with exhilarating creative ferocity. The destabilising contrast between the microtonal chords of the ocarinas/flute and the agitated accents of the strings is unforgettable. Faust is imperial in her mastery of the discourse, the technical pitfalls and the expressivity necessary for the radiance of this brilliant monument to modern music. And what can we say about François-Xavier Roth’s orchestra? A marvel of sound construction and infinitesimal nuances of colour and dynamics.

In the Piano Concerto, the rustic inflections come pleasantly to life under the fingers of Jean-Frédéric Neuburger. Roth adds his dose of sonic spice, very well executed by Les Siècles in a crystal-clear recording. A little marvel of textural sparkle and quiver in every section.

An excellent introductory album to Ligeti’s universe, with first-rate performers.

Latest 360 Content

SAT | Johnny Jewel back in MTL for a live set of his vast and impressive work

SAT | Johnny Jewel back in MTL for a live set of his vast and impressive work

Kon-Fusion – Arriba de su Muro

Kon-Fusion – Arriba de su Muro

Domaine Forget 2026 | A Full Summer in The Musical Paradise of Charlevoix

Domaine Forget 2026 | A Full Summer in The Musical Paradise of Charlevoix

With Yatou, Noubi Brings Together Voices From Around the World

With Yatou, Noubi Brings Together Voices From Around the World

SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More

SAT | PAURRO, Mexican sauces for Breakbeats, Latin music, Hard grooves, techno, 90’s and More

SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival

SAT | Matias Aguayo, Dancing As A Form of Resistance and Collective Survival

The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott

The 31st Montreal Chamber Music Festival: A Global Community by Denis Brott

Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs

Classica 2026 | Karina Gauvin is deeply moved by Strauss’s Four Last Songs

Boards of Canada – Inferno

Boards of Canada – Inferno

Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director

Des violons sous nos toits : The 2026 Edition of the Montreal International Music Competition, as Told by Its Executive Director

The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition

The Next Generation Takes the Stage: Ana Drobac Talks About Her Experience as a Member of the Young Artists’ Jury at the Montreal International Music Competition

Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy

Quatuor Molinari | The Shostakovich Complete Works: From Challenge to Pure Joy

A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal

A lively Vivaldi with the Orchestre classique de Montréal and the Petits chanteurs du Mont-Royal

Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event

Nuits d’Afrique: The Legacy of a Festival That Has Become a Must-See Event

Duo BoMi – Du Liban au Kurdistan

Duo BoMi – Du Liban au Kurdistan

Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec

Duo BoMi: The classical music of Lebanon and Kurdistan takes root in Quebec

Classica 2026 | A Brandenburg Evening with Caprice

Classica 2026 | A Brandenburg Evening with Caprice

Abdel Grooz Brings Mozaïk to A Spectacular Close

Abdel Grooz Brings Mozaïk to A Spectacular Close

The Lake : Swan song for a Fairy Tale

The Lake : Swan song for a Fairy Tale

Classica 2026 | Klezmer music in the church!

Classica 2026 | Klezmer music in the church!

Aldous Harding – Train on the Island

Aldous Harding – Train on the Island

Sonny Rollins, le colosse dans une autre dimension

Sonny Rollins, le colosse dans une autre dimension

Primavera Sound Porto: The Sounds of Spring

Primavera Sound Porto: The Sounds of Spring

Nome Noma 3 – Québec Post-Punk et New Wave 1979-1983 

Nome Noma 3 – Québec Post-Punk et New Wave 1979-1983 

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers