Sweet Swana Montréal: For A Fair Share of Arab Electro (Part 2)

by Salima Bouaraour

2. A constantly evolving scene 

The Arab population makes up 20.6% of visible minorities in Greater Montreal, ranking 2nd after the black population, which is close to 30% (1). Visible, they say? Perhaps not so much. The fact is that they are poorly represented in many areas of society, including the electronic music scene.

And yet, Swana electro artists are on a roll in every major metropolis in the world! Montreal, however, is no exception to the trend. The city is full of little treasures, but they are more often acclaimed abroad or outside the province than on the island. Their visibility in the media or on the big stages or at major events is still rather minimal here.

With this feature by our contributor Salima Bouaraour, PAN M 360 shines the spotlight on this thriving pool of artists involved in the development of Montreal’s cultural and nightlife scene, as well as promoting and defending the values of equality, justice, creativity, inclusivity and the celebration of Arab beauty.

In this festive spirit of coming together, a compilation will take you into their respective universes.

 

The Montreal electronic music scene has made, and is still making, great strides compared to other scenes around the world. So-called non-dominant individuals such as women and marginalized categories – queer-bipoc-trans – are enjoying greater accessibility and visibility on the scene.

However, to ensure that we continue to make progress towards a brighter future, there are still complex entanglements of systemic discrimination and issues linked, for example, to the representation of people of colour and/or queer women, as well as problems of access to decision-making positions, leadership and access to the media.

In fact, so-called “racialized” people or people from indigenous nations have had more opportunities, even if the situation is still glaring in the face of the many challenges linked to history. In addition, a huge amount of work has been done to remedy the difficulties faced by black artists in gaining access to the stage. The demographic weight of visible minorities is 28.3% (1) of Greater Montreal.

It is clear that accessibility to all spheres of public life, including the music scene, must be paramount. Taking all these factors into account, a debate needs to be brought to the table: the under-representation of Arab artists on the Montreal electronic music scene. Although this group represents one-fifth of visible minorities (Statistics Montreal 2016 (1 and 2)), it remains underground like a well-kept treasure. Collectives are trying to rectify the situation, but as best they can, often on their own initiative. The challenges are huge!

SOURCES (in French)

 

1. Minorités visibles. Population dans les ménages privés selon les groupes de minorités visibles,  agglomération de Montréal, 2021. Visible minorities. Population in private households per visible minority group, Montréal agglomeration, 2021

2. Population d’origine ethnique arabe au Québec en 2016 Population of Arab ethnic origins in Québec in 2016.

READ THE NEXT PART!

Latest 360 Content

Festival Classica | Klezmer music in the church!

Festival Classica | Klezmer music in the church!

Aldous Harding – Train on the Island

Aldous Harding – Train on the Island

Primavera Sound Porto: The Sounds of Spring

Primavera Sound Porto: The Sounds of Spring

Nome Noma 3 – Québec Post-Punk et New Wave 1979-1983 

Nome Noma 3 – Québec Post-Punk et New Wave 1979-1983 

Kleztory – Rendez-Vous

Kleztory – Rendez-Vous

Drucker – See Myself Out

Drucker – See Myself Out

Palais Montcalm | Thomas Fersen, nine years later: his classics and also the theatre behind “Le choix de la reine”

Palais Montcalm | Thomas Fersen, nine years later: his classics and also the theatre behind “Le choix de la reine”

The art of judging with Lucie Robert, president of the jury of the International Music Competition

The art of judging with Lucie Robert, president of the jury of the International Music Competition

TVOD – Rerun

TVOD – Rerun

Kneecap – FENIAN

Kneecap – FENIAN

White Fence – Orange

White Fence – Orange

Broken Social Scene – Remember The Humans

Broken Social Scene – Remember The Humans

SAT | “Futurs Antérieurs”, 3 Decades of Expertise Focused on The Future

SAT | “Futurs Antérieurs”, 3 Decades of Expertise Focused on The Future

“Bye Bye”: Shady Transforms Pain Into Power

“Bye Bye”: Shady Transforms Pain Into Power

Keithy Antoine from PAN M 360, Conversation with “People’s Choice / Media Dynasty”

Keithy Antoine from PAN M 360, Conversation with “People’s Choice / Media Dynasty”

Ensemble Renouveau – Partons la mer est belle

Ensemble Renouveau – Partons la mer est belle

André Moisan – Projet 8

André Moisan – Projet 8

Emie R Roussel Trio – TERR

Emie R Roussel Trio – TERR

Molinari Quartet | The Shostakovich Marathon is Imminent!

Molinari Quartet | The Shostakovich Marathon is Imminent!

The Lake at Grands Ballets : Replacing Tchaïkovski… by Tchaïkovski

The Lake at Grands Ballets : Replacing Tchaïkovski… by Tchaïkovski

Kulusé Souriant, A Jazz Style Influenced by Caribbean Roots

Kulusé Souriant, A Jazz Style Influenced by Caribbean Roots

OSM | A Heroic Symphony That Doesn’t Beat the Boss

OSM | A Heroic Symphony That Doesn’t Beat the Boss

ArtChoral Sings the Beatles: The Classic Pop We Needed

ArtChoral Sings the Beatles: The Classic Pop We Needed

Festival Accès Asie – Flutes of the World, Unite!

Festival Accès Asie – Flutes of the World, Unite!

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers