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Concert reviews

Latest 360 Content

Mystical Ceilings & Sonic Architects: Night Two at Exposé Noir with Helena Hauff, Wata Igarashi & Polygonia
Concert review Electronic

Mystical Ceilings & Sonic Architects: Night Two at Exposé Noir with Helena Hauff, Wata Igarashi & Polygonia

By Félicité Couëlle-Brunet
Velvet Fog & Hard Techno: A Night at Exposé Noir with Yazzus, Tiga & DJ Tool
Concert review Electronic

Velvet Fog & Hard Techno: A Night at Exposé Noir with Yazzus, Tiga & DJ Tool

By Félicité Couëlle-Brunet
Piknic 1: A magic formula
Concert review Electronic

Piknic 1: A magic formula

By Loic Minty
Let’s Yiddish’n’roll with Kallisto!
Concert review Eastern European/psychédélique

Let’s Yiddish’n’roll with Kallisto!

By Frédéric Cardin
OSM | Half Moon Run’s Masterful Return to The Symphonic… Home
Concert review Pop

OSM | Half Moon Run’s Masterful Return to The Symphonic… Home

By Marilyn Bouchard
Enchanting choral Croatia at the Centre des musiciens du monde
Concert review Eastern European/Classical/classique

Enchanting choral Croatia at the Centre des musiciens du monde

By Frédéric Cardin
Hitting a Fever Pitch at the Ribbon Skirt LP Launch 
Concert review Rock

Hitting a Fever Pitch at the Ribbon Skirt LP Launch 

By Lyle Hendriks
OCM: Bernstein and his “Side stories” in the spotlight
Concert review Classical/classique

OCM: Bernstein and his “Side stories” in the spotlight

By Frédéric Cardin
Abracadabra! Klô Pelgag is Back
Concert review chanson keb franco/Pop/krautpop/Rock

Abracadabra! Klô Pelgag is Back

By Alain Brunet
Syncopation & Synergy: Karneef’s jazz fusion meshes with Rapallo’s corporate yacht pop
Concert review Pop/Jazz/Rock

Syncopation & Synergy: Karneef’s jazz fusion meshes with Rapallo’s corporate yacht pop

By Stephan Boissonneault
Le Vivier: many skills, few surprises
Concert review expérimental / contemporain/Classical/classique

Le Vivier: many skills, few surprises

By Frédéric Cardin
Nick Cave & the Bad Seeds hold ceremonial court at Place Bell
Concert review Rock/Sacred Music

Nick Cave & the Bad Seeds hold ceremonial court at Place Bell

By Stephan Boissonneault
OSM | A Morning of Lightness
Concert review classique/Classical

OSM | A Morning of Lightness

By Alexis Desrosiers-Michaud
African American Sound Recordings at SAT : Noise Floor
Concert review Jazz/Classical/classique/Électronique/expérimental / contemporain/Hip Hop

African American Sound Recordings at SAT : Noise Floor

By Loic Minty
Sylis d’or 2025 Final: Salsa Ahead of Afro-Colombian Roots and Réunionese Maloya
Concert review

Sylis d’or 2025 Final: Salsa Ahead of Afro-Colombian Roots and Réunionese Maloya

By Frédéric Cardin
Soir de jazz symphonique à Laval
Concert review Classical/classique/Jazz

Soir de jazz symphonique à Laval

By Alain Brunet
FACS, WORKS, and DahL at Quai Des Brumes
Concert review Rock

FACS, WORKS, and DahL at Quai Des Brumes

By Stephan Boissonneault
Université de Montréal: Stars shine on music’s next gen
Concert review classique

Université de Montréal: Stars shine on music’s next gen

By Frédéric Cardin
Magnificent Heiresses
Concert review Jazz

Magnificent Heiresses

By Marilyn Bouchard
Tunisian Goddess Emel Presents MRA
Concert review Electronic/Hip Hop/Hip Hop

Tunisian Goddess Emel Presents MRA

By Sandra Gasana
Sacré Gilles Vigneault | Between Natashquan and Buenos Aires
Concert review Classical/classique/trad québécois

Sacré Gilles Vigneault | Between Natashquan and Buenos Aires

By Judith Hamel
Les Violons du Roy and Antoine Tamestit | A Gripping and Profound Performance
Concert review Classical/classique

Les Violons du Roy and Antoine Tamestit | A Gripping and Profound Performance

By Alexandre Villemaire
Ensemble Caprice | A Beautiful Evening of Passion
Concert review Classical/classique/Sacred Music

Ensemble Caprice | A Beautiful Evening of Passion

By Alexis Desrosiers-Michaud
Nouvel Ensemble Moderne | New Songs for a New Era
Concert review Classical/classique

Nouvel Ensemble Moderne | New Songs for a New Era

By Judith Hamel
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