Bedroom Pop / Folk Pop / Indie Pop

Osheaga 2025 I The Magic of Gracie Abrams

by Sophie Mediavilla-Rivard

Gracie Abrams shone on the second night of Osheaga in front of an audience that was already won over, despite the concert being cut short by the weather. “This is unreal,” she said on stage, visibly moved by the warm reception from festival-goers.

She made her entrance with her guitar in hand, dressed in a long white dress that made her look like an angel. The 25-year-old artist immediately created a magical atmosphere by opening her set with the song “Risk,” from her latest album, The Secret of Us, released in June 2024.

It was this album that propelled her to the popular success she enjoys today and brought together an enthusiastic crowd on Saturday evening at Jean-Drapeau Park. Gracie Abrams first made a name for herself with “21,” a track from the album Minor, released in 2020. She performed it in front of sparkling fireworks projected behind the stage.

Unfortunately, a storm forced the show to stop about ten minutes before the end, preventing Gracie Abrams from playing her two most popular songs, “Close To You” and “That’s So True,” much to the disappointment of her loyal audience.

However, we will remember the artist fondly, as she gave one of the strongest performances of the second day of the festival. She proved that she is as skilled on the guitar and piano (on which she played “Cool” and “I miss you, I’m sorry”) as she is with her voice. Always authentically herself, the singer performed with equal parts gentleness and passion.

“Osheaga, I’m so sad we had to cut the last set short because of the weather, but you were incredible tonight. It was crazy and wonderful to be back after three years,” wrote the singer, who first came to Osheaga in 2022, on Instagram, clearly sharing her fans’ disappointment but also their joy.

Crédit photo: Osheaga

Latest 360 Content

Sophianne Girard – Si vivante

Sophianne Girard – Si vivante

Tara Davidson’s Marni Project – The Reflection of an Echo

Tara Davidson’s Marni Project – The Reflection of an Echo

Susan Fancher/Ināra Zandmane – Strange Lights

Susan Fancher/Ināra Zandmane – Strange Lights

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

Guillaume Côté’s A Midsummer Night’s Dreams: the choreographer talks about his intimate relationship with music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

SQMC/Chapelle Historique du Bon Pasteur: Discovering Quebec’s contemporary music

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma| Felix Deufel introduces us to the uncharted sonic richness of the Arctic

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | Les Artefacts sonores de Roxanne Turcotte

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | The Audréanne Filion and Myriam Bleau Duo: Where Reality and the Virtual Merge

Akousma | Exzald S, la violence du calme

Akousma | Exzald S, la violence du calme

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Mois du Créole 2026 | Richy Jay: Keeping Konpa and Zouk Alive in Montreal

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Melanie Zhou: Shaping Sound, Expressing Emotion

Akousma | Alex Brisson et l’exploration musicale du feedback

Akousma | Alex Brisson et l’exploration musicale du feedback

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Caprice at the 9th Floor: a pleasant meeting between Baroque and Carnatic music

Gilla Band – Pugnello

Gilla Band – Pugnello

David Bowie – The Shel Talmy Recordings

David Bowie – The Shel Talmy Recordings

Piknic Électronik x Igloofest: A Chilly Last Hurrah 

Piknic Électronik x Igloofest: A Chilly Last Hurrah 

Arion: Cinderella has fun and unleashes her magic

Arion: Cinderella has fun and unleashes her magic

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Mois du Créole 2026 | David Bontemps: Between the Piano and Dessalines’ Legacy

Azrieli Prize 2026: The Four Pillars of the Temple

Azrieli Prize 2026: The Four Pillars of the Temple

Fat Dog – Cancel Me (I’m Tired)

Fat Dog – Cancel Me (I’m Tired)

Protomartyr – Hotel Usona

Protomartyr – Hotel Usona

Ensemble Caprice at the 9th: Dialogue with Carnatic India

Ensemble Caprice at the 9th: Dialogue with Carnatic India

A resurrected and vocally spectacular Cinderella at Bourgie Hall

A resurrected and vocally spectacular Cinderella at Bourgie Hall

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Mois du Créole 2026 | Pierre-Roland Bain: A Look Back and a Look Ahead

Subscribe to our newsletter

Inscription
Infolettre

"*" indicates required fields

Type of Suscribers